| titre | descriptif | 00:00 | Album |
|---|---|---|---|
| Fake Jungle Walk - P. Gaillard | Rhythmic made with the sounds of the body of a double bass. 2 simple melodies follow one another, respond to each other and mix. Polyrhythm of pizzicato. | 03:08 | |
| Alma Viva - E. Di Nucci | Baião instrumental underscore with a rich and refined rhythmic accompaniment. Beautiful guitar improvisation with the voice in unison. | 03:27 | |
| Ailleurs - G. Goué | An obsessive rhythm around the Sansula. Female voices and different sound images. Repetitive sequence in the background. | 02:48 | |
| Creating Diversity - T. Nijhof | Uplifting whimsical, peaceful soundtrack with calypso and world music elements. Orchestral/Symphonic, Tropical Instruments. | 02:10 | |
| Meditation - G. Goué | Acoustic guitar in arpeggios then percussion and double bass. A distant electric guitar with echo then. | 01:56 | |
| Funny Island - M. Brillard | Very short acoustic guitare riff. | 00:07 | |
| At The Time Of Its Spendour - M. Biallais | Tragic, nostalgic. Woman's voice, strings and wood. Dead Can Dance. | 04:13 | |
| Errancy - M. Biallais | Tragic, climate of uncertainty. Women's voices, choirs, strings, brass and percussion. Dead Can Dance. | 04:21 | |
| In My Heart Forever - M. Biallais | Nostalgic meditation. Female voices, synthesizers and acoustic guitar. | 03:34 | |
| Pop Jubilate - M. Biallais | Modern Western. Male voices, opera, synthesizers, bass, bells and electro drums. | 02:41 | |
| Supplication - M. Biallais | Meditative, prayer. Female voices, hovering synthesizers and percussions from the Far East. Era. | 03:52 | |
| Tears - M. Biallais | Tragic, plaintive, oriental influence. Woman's voice, strings, woodwind, Asian instruments and percussion. Dead Can Dance, Era. | 03:45 | |
| Barrel Street - C. Nouailhaguet | Light and lively barrel organ underscore in nostalgic mood. Featuring accordion, cimbalom, ukulele and trombone. Edit point at 0:48, at 1:17, at 1:46. Barrel organ, accordion, cimbalom, trombone, ukulele, cajon. | 02:21 | |
| Ample Clothes - M. Wierzbicka | Funny, Humorous, Polish Folk | 01:21 | |
| Lullaby at the Cradle - M. Wierzbicka | Sentimental, Nostalgic. | 04:13 | |
| Oh, My World - M. Wierzbicka | Happy, Fun, Polish Folk | 01:57 | |
| Vodka, the Root of Evil - M. Wierzbicka | Humorous,Ironic, Polish Folk | 02:26 | |
| A Deserted Village - Z. Litwinska | Dramatic, Fairy, Mysterious, Duduk and Female Voice | 03:39 | |
| A Song From a Dream - M. Litwinski | Atmospheric, Fairy, Relaxed, Romantic | 03:22 | |
| A Sunken Temple - M. Litwinski | Atmospheric, Fairy, Female Voice, Duduk, Hurdy-Gurdy, Daf | 05:06 | |
| A Tune for Syria - Z. Litwinska | Emotional, Dramatic theme, Duduk and Female voice | 03:07 | |
| Across the Sea and Mountains - Z. Litwinska | Atmospheric, Adventure, Travel, Fairy | 08:06 | |
| Calling the Birds - S. Wieladek | Calm, Atmospheric, Pulsing, Fairy, Journey | 01:59 | |
| Cherry Hills - Z. Litwinska | Atmospheric, Mystic, Pulsing, Oriental | 04:29 | |
| Dievas - M. Litwinski | Atmospheric, Fairy, Positive, Female, Male Voices, Flute | 03:35 | |
| Grass Grows Green on a Lithuanian Hill - M. Litwinski | Atmospheric, Adventure, Travel, Fairy, Male Voice | 04:07 | |
| Marching through the Marshes - M. Litwinski | Atmospheric, Adventure, Travel, Fairy | 06:52 | |
| Modern Structures - P. Dabrowski | Udu groove over Piano theme | 02:41 | |
| Shadows in the Dark - A. Rejman | Elegant, Poignant Guitar theme | 06:01 | |
| Slavic Viola's Yearning - M. Litwinski | Dramatic, Emotional, Dreamy, Slavic | 03:07 | |
| Supu, Supu - M. Litwinski | Joyful, Calm, Slavic, Female, Male Voices | 04:27 | |
| The Joy of Sakuntala - Z. Litwinska | Atmospheric, Fairy, Female Voice | 02:42 | |
| Maya - C. Nouailhaguet | Travel soundtrack featuring pan flute and ethnic percussions with a modern twist. Exotic, world beat, epic journey, nature, documentary. Flute at 00:33, edit point at 02:25, break at 03:45, epilogue at 04:26. pan flute, percussions, bass, kora, n’goni, marimbula, synth pad. | 05:16 | |
| Winter Appearance - C. Nouailhaguet | A dark and mournful ballad. Sombre piano over chilling cello and glissando strings are immersed in dense sound design. Cello at 01:13. Piano, solo violin, strings, synth pad, heartbeat, solo cello, sound design fx. | 03:07 | |
| Feel Good Story - J. Whitcher | Cinematic, World, Adventure, Repetitive, Percussions, Drum. Universal, News, Current Affairs, bells, intense, sad, moody, drone, under score, tension, edgy, drama, adventure. | 02:23 | |
| Funny Honey - S. Sibanda | Cinematic, World, Suspens, Violin, Strings Pizz. Violin, string, quartet. | 02:35 | |
| Ntate - S. Sibanda | Celebration, World, Positive, Violin. Violin, Church, Theme, Wedding, feel good, Holly, string, quartet. | 02:04 | |
| Sangena - S. Sibanda | Celebration, World, Positive, Violin. Violin, Theme, Wedding, feel good, Holly, string, quartet. | 03:21 | |
| Save Africa - S. Sibanda | Celebration, World, Positive, Violin. Violin, Theme, Wedding, feel good, Holly, string, quartet. | 05:05 | |
| The Light Way - S. Sibanda | Cinematic, World, Adventure, Violin. Violin, Theme, Wedding, feel good, Holly, string, quartet. | 00:45 | |
| Traces - S. Sibanda | Cinematic, World, Nostalgic, Violin. Violin, Church, Theme, string, quartet. | 00:46 | |
| Tubes to laugh - S. Sibanda | Celebration, World, Positive, Violin, Strings Pizz. Violin, Church, Theme, Wedding, feel good, Holly, string, quartet. | 01:12 | |
| Uya hamba - S. Sibanda | Celebration, World, Positive, Violin. Violin, Theme, Wedding, feel good, Holly, string, quartet. | 02:12 | |
| Uyamba - S. Sibanda | Celebration, World, Positive, Violin. Violin, Theme, Wedding, feel good, Holly, string, quartet. | 03:18 | |
| Violin - S. Sibanda | Cinematic, World, Nostalgic, Violin. Violin, Church, Theme, string, quartet. | 01:06 | |
| Wedding Sunshine - S. Sibanda | Celebration, World, Positive, Violin. Violin, Theme, Wedding, feel good, Holly, string, quartet. | 05:04 | |
| Naja - A. Zakumera | World - African, World, Positive, Adventure, Percussions, Electric bass, Steeldrums. Africa, East Africa, Tanzania, Burundi, Kenya, Ruwanda, Egypt, Morocco, Indian, Swahili, Tabla, Flute, Guitar, Bangra. | 01:05 | |
| Okay Okay - A. Zakumera | World - African, World, Positive, Festive, Percussions, Electric bass, Steeldrums. East Africa, Tanzanian, Kenyan, Swahili, Tabla, Indian chants, Flutes, Bongo Flava, Fun. | 03:28 | |
| Rajah Dancing - A. Zakumera | World - African, World, Positive, Exotic, Percussions, Electric bass, Electric guitar. Africa, East Africa, Tanzania, Burundi, Kenya, Ruwanda, Egypt, Morocco, Indian, Swahili, Tabla, Flute, Percussion. | 03:18 | |
| Salome - A. Zakumera | World - African, World, Positive, Festive, Percussions, Electric bass, Steeldrums. Africa, East Africa, Tanzania, Burundi, Kenya, Ruwanda, Egypt, Morocco, Indian, Swahili, Tabla, Indian, Congas, Strings. | 01:53 | |
| Slam Bangra - A. Zakumera | World - African, World, Positive, Exotic, Percussions, Electric bass, Steeldrums. Africa, East Africa, Tanzania, Burundi, Kenya, Ruwanda, Egypt, Morocco, Indian, Swahili, Tabla, Sitar, Flute, Guitar. | 02:22 | |
| The Birds - A. Zakumera | World - African, World, Positive, Festive, Steeldrums, Percussions, Organ. Africa, East Africa, Tanzania, Burundi, Kenya, Ruwanda, Egypt, Morocco, Indian, Swahili, Tabla, Flute, Zuk, Rumba, Saxophone, Harp, Bells, Happy. | 01:54 | |
| Tick - A. Zakumera | World - African, World, Heroic, Positive, Percussions, Electric bass, Electric guitar. Africa, East Africa, Tanzania, Burundi, Kenya, Ruwanda, Egypt, Morocco, Indian, Swahili, Tabla, Hip Hop, Flute. | 01:36 | |
| Bongo East - A. Zakumera | Electro, World, Mysterious, Panoramic, Percussions, Synth, Xylophone. Africa, East Africa, Tanzania, Burundi, Kenya, Ruwanda, Egypt, Morocco, Indian, Swahili, Tabla, Sita, Pads, Hip Hop. | 02:03 | |
| Cina - L. Machaba | World - African, World, Positive, Suspens, Percussions, Electric bass, Bells - Chimes. East Africa, Tanzanian, Kenyan, Swahili, Tabla, Indian chants, Flutes, Bongo flava, Fun. | 02:10 | |
| East meets west - A. Zakumera | World - African, World, Positive, Festive, Percussions, Whistle, Electric guitar. Africa, East Africa, Tanzania, Burundi, Kenya, Ruwanda, Egypt, Morocco, Indian, Swahili, tabla, Zul, Kwasakwasa, Rumba, Happy, Fiesta, Party, Trumpet. | 02:04 | |
| Juaje - A. Zakumera | World - African, World, Positive, Adventure, Percussions, Electric bass, Electric guitar. Africa, East Africa, Tanzania, Burundi, Kenya, Ruwanda, Egypt, Morocco, Indian, Swahili, Tabla, Zuk, Rumba, Pads, Brass. | 02:21 | |
| Kijusi - A. Zakumera | World - African, World, Positive, Adventure, Percussions, Electric guitar, Electric bass. Africa, East Africa, Tanzania, Burundi, Kenya, Ruwanda, Egypt, Morocco, Indian, Swahili, Tabla. | 05:08 | |
| Latin American Game - S. Sibanda | Electro, World, Dynamic, Synth, Choir. Less drums Mix. African, South African, drums, percussions, sports, action, energetic, dance, carnival, chase, action sequence, sports, boxing, energetic, stadium, big drums, chant, soccer. | 02:30 | |
| Maskandi Ace - S. Sibanda | Electro, World, Ethnic, Percussions. Less drums with crowd Mix. African, South African, drums, percussions, sports, action, energetic, dance, carnival, chase, action sequence, sports, boxing, energetic, stadium, big drums, chant, soccer. | 03:37 | |
| Arnei - P. Gawlik | Monumental dark Synth drone accompanied by airy Reverbed Female Vocalise | 03:15 | |
| Spirit of Blue - A. Rejman | Moody ostinatos by prepared Piano and Harp | 03:54 | |
| Spirit of Blue - K. Jankowska | Reverbed, ethereal Female Voice over ostinatos of prepared Piano | 03:54 | |
| Mulata - GD 78 | Between Tango and Bachata sung by a male voice. Accordion, guitars and percussion. Latin dance song, party, Cuba. | 03:42 | |
| Milonga - GD 78 | Bachata, tango, salsa with spoken male voice and female vocals sung. Sensual, festive and relaxing. Cuba. | 03:44 | |
| Malibu - GD 78 | Aerial, calm and repetitive world music with acoustic guitar, percussions, electric bass, accordion, synthesizer and sensual female voice. | 03:36 | |
| Element - GD 78 | Acoustic guitare, singing, and ethnic instrument speaking on cool background. | 02:42 | |
| Asteroid Blues - A. Mazure | Melody slow and melancholic accordion. Background of violins. | 01:23 | |
| Hills At Sunset - R. Bednarczuk | Slow, Dreamy, Atmospheric Pipe flowing motif. String pads | 02:27 | |
| Mountain Pass - R. Bednarczuk | Joyful Pipe melody. Slav folk inspiration. | 02:01 | |
| Stream Flowers - R. Bednarczuk | Dreamy, Atmospheric flute melody with harp. Slav folk inspiration. | 02:07 | |
| Summer Evening - R. Bednarczuk | Orchestral Fantasy. Ethnic influence. | 02:17 | |
| Eco Warrior - T. Stoilkovski | Nature flows into a rocking and stomping guitar fueled coolness with slide guitar and a warrior attitude. Changing Planet. | 02:24 | |
| Dark Secret - R. Luczak | Mystery, Bizarre, Ethnic theme.Tense. Mystic atmosphere | 02:56 | |
| Look Into My Eyes - G. Bozewicz | Bandoneon theme over elegant orchestration | 02:09 | |
| Reflection Mood - G. Bozewicz | Suspended string backings and expressive Bandoneon theme | 02:29 | |
| Warm Evening - G. Bozewicz | Elegant interlacing melodies of Bandeon and Piano | 02:12 | |
| Lamborghini - D Agostino | Light and popular waltz. | 01:55 | |
| Provence - D Agostino | Intro acoustic guitar and percussions. 0'47 Drums. 1'27 Melody on acoustic guitar. | 02:55 | |
| Our Lives - D Agostino | Acoustic guitar duo. Mediterranean dance. | 02:52 | |
| Mosca - D Agostino | Guitar played in harmonics, harp and choir. | 02:09 | |
| New York Fashion - D Agostino | Solo harp. Traditional melody. | 01:38 | |
| Oceania - D Agostino | Percussion atmosphere and drums. | 05:21 | |
| Oceania Part 1 - D Agostino | Percussion atmosphere and drums. | 03:45 | |
| Oceania Part 2 - D Agostino | Percussions solo. | 02:33 | |
| Missing Person - D Agostino | Trio with 2 guitars in Spanish style and a E.bass. | 02:21 | |
| Winter Ghosts - D Agostino | Slow intro with a panoramic Spanish guitar accompanied by a violin synthesizer. Added percussion and flute at 2mm50 with tempo acceleration. | 04:01 | |
| Love of my Life - D Agostino | Spanish atmosphere, Spanish consonant guitar trio. Al Di Meola, Lucia Paco, John Mc Laughlin. Stop break at 1'41. | 03:09 | |
| Jamaican Feathers - D Agostino | Rhythmic of several percussions, melody played with an ethnic instrument. | 04:16 | |
| Gipsy Ways - D Agostino | Jazzy guitar duo, folklore colors from South America .. | 01:57 | |
| Good For Nothing Messages - D Agostino | Like a Neapolitan song. | 01:38 | |
| House of Mirrors - D Agostino | Darbuka. Short melody session with oriental colors. | 01:22 | |
| Dark Lotus - D Agostino | Funky rhythm with drums and bass slap, and Chinese ethnic instruments like koto and flutes. | 03:28 | |
| Deja Vu - D Agostino | Solo guitar and rhythmic gamelan. Airy, stripped. | 04:15 | |
| Bodyguard Sale - D Agostino | Mediterranean, Greek or Italian music. Repetitive melody, dancing and lively. | 02:08 | |
| Cakewalk - G. D Agostino | Latin ambience, South America. Repetitive Rhythmic and Acoustic Guitar Solo. Percussion atmosphere at 2'16. | 04:07 | |
| Agharti - G. D Agostino | Slow evolution of a world atmosphere, melody and solo on the acoustic guitar then saturated. Edit Point at 2'21. | 05:51 | |
| John Dee - D Agostino | Percussion and improvised theme of acoustic guitar. Panoramic, relaxing, nostalgic. | 03:52 | |
| Senso Tango - M. Sweeting | Clarinet solo, piano, violin, cello. A good hotel lounge together play for a sensual dance where seduction is part of the game. | 02:55 | |
| Sensual Bossa - M. Sweeting | A short bossa nova them, sensual. Acoustic guitar, electric guitar solo, bass, percussion, woman singing voice in the back ground. | 01:15 | |
| Anxiety and Fear - R. Bednarczuk | Interweaving violin melodies | 02:50 | |
| From The Eastern Frontiers - R. Bednarczuk | Hurdy Guardy theme over light melodic ostinatos | 05:15 | |
| Journey Through Seven Seas - P. Gawlik | Ambient. African atmosphere. Female voices. | 04:58 | |
| Trip To Africa - P. Gawlik | Ambient. African atmosphere. Female voice. | 04:14 | |
| Weather In The World - R. Luczak | Pulsing, Space synth theme 30' short version | 00:36 | |
| Orientis partibus - UBK | Morin khuur or horse-headed vielle. Diphonic singing in old language, organetto. | 03:55 | |
| Stella Splendens - UBK | Intro Morin Khuur or horse-headed vielle and organetto. Vocals chanted in Latin. Shells, cymbals. | 03:18 | |
| Theme Cretois - UBK | Intro in long notes of Morin Khuur or horse-headed vielle, melody to organetto. Percussion. | 02:55 | |
| Voulez-vous que je vous chante - UBK | Melody played in the unison of organetto and Morin Khuur or horse-headed vielle. Sounds of percussion. | 03:37 | |
| Le Cheval - UBK | Morin khuur or horse-headed vielle. Overtone mongolian singing. Organetto. Slow acceleration. Edit point at 2'43 Neighing. | 03:32 | |
| Lueurs - UBK | Organetto, slow melody of Morin Khuur or vielle with horse's head, dubbed at the organetto. | 04:16 | |
| Au Renouveau - UBK | Jew's dance, melody and accompaniment on the organetto, percussions, Morin khuur or horse-headed vielle. | 04:02 | |
| Buura - UBK | Morin Khuur or horse-headed vielle, organetto. Mongolian diphonic singing. Slow dance. | 02:40 | |
| Cantiga - UBK | Intro slow litany sung. 0'27 Staccato of Morin Khuur or horse-headed vielle, organetto, percussion. | 02:05 | |
| Dans la taïga - UBK | Morin Khuur or horse-headed vielle for the melody, accompaniment on the organetto. Mongolian diphonic singing. | 06:50 | |
| Dyngyldai - UBK | Rhythmic Morin Khuur or horse-headed vielle for the melody, accompaniment on organetto. Medieval drum. 1'41 Mongolian diphonic singing. Unrestrained race, wild horse. | 03:50 | |
| Amour De Loin - UBK | Recitative sung of a love story. Confession of a lover. Morin khuur. | 05:36 | |
| Polish Hop Hop - G. Suski | Funny, Humorous theme | 02:31 | |
| Russian Coctail - G. Suski | Funny, Grotesque theme, Male voice | 03:05 | |
| Smile Please - P. Gawlik | Quirky, Fun theme with female voice | 02:32 | |
| Eastern City Center - R. Luczak | Poignant flute sequences over light bass drum loop | 01:58 | |
| Modern Art 1 - M. Litwinski | Delayed syths woodwinds melodies with electric violin | 01:38 | |
| Mountains - R. Bednarczuk | Pipe, strings for Landscape, Nature. Emotional theme | 01:11 | |
| Nothing New - R. Bednarczuk | Repetitive marimba motif, strings, pipe for Natural World Beauty, Atmospheric | 05:00 | |
| Vision Of Beauty - R. Bednarczuk | Expressive Flute with Strings for Landscape, Natural World Beauty, Wonderment, Documentary | 02:48 | |
| Dark Matter - R. Smolinski | Bass guitar solo, world folklore influenced warm melodics | 01:16 | |
| Impression At Night - R. Smolinski | Afternoon in the nature. Open land, broad landscapes world folklore influenced melodics. Flute solo over ambient basses | 02:28 | |
| Reverie - J. Smyk | Soprano saxophone solo, wide, reverbed, in mountains under the sun | 01:53 | |
| Don t Walk Away - GD 78 | Look like Madonna's song Spanish Lullaby. | 04:34 | |
| Dance With Love - GD 78 | Rajat Bindra (DJAar). Intro of sitar and electric piano, drum box. Groovy waiting. | 03:14 | |
| Jazzy - P. Gawlik | Laid back. Happy melody. Female voice | 03:08 | |
| Geisha - F. Bégnon | Melody in oriental colors with synth and acoustic guitar. Gong. Violins. Choirs of men. | 01:25 | |
| Bosons - F. Bégnon | Electronic Bossa. Electronic drums and percussion, synth bass, electric guitar for accompaniment and theme. | 02:43 | |
| You Like It - J. Goodwin | Groove - Funky quirk horns and vocal samples. | 00:58 | |
| Persiala Major - J. Goodwin | Drama - Eastern drama with vocal samples. | 01:40 | |
| Final Sunshine - J. Goodwin | Dansant, dialogue guitare et cuivres, coloré. | 00:43 | |
| Avalon Forest - J. Goodwin | Fantasy Drama - Celtic female, strings and piano. | 06:01 | |
| Our Heartland - T. Stoilkovski | Bagpipe Scottish feel melody playfully dancing with pop sensiblity and passionate strings. | 02:05 | |
| Satib - G. D Agostino | Darbouka. 1mn44 de percussions puis 3mn d'ambiance lounge. | 04:33 | |
| La Magra - G. D Agostino | Sensuelle, méditative, majestueuse. | 05:11 | |
| Salami - G. D Agostino | Italie, Sicile, Grèce. Ritournelle sensuelle et comique. Enfant, comédie. | 02:54 | |
| Strangers In The Dark - G. D Agostino | Duo de guitares espagnoles. Flamenco. Intro lente puis pop @36s. | 01:56 | |
| Tangerang - G. D Agostino | Répétitive, transe. Oriental, Afrique. Darbouka. | 06:22 | |
| The Chase - G. D Agostino | Danse traditionnelle. Italie, Sicile. Répétitive, fête. | 02:15 | |
| Tijuana - G. D Agostino | Printanière et positive. Romantique et fleur bleue. | 04:18 | |
| Trance Piece - G. D Agostino | Transe, répétitive. Fusion. Suspens, mystérieuse. | 04:16 | |
| Tresor - G. D Agostino | Exotique, transe, méditation. Ambiant, country. Printanière. | 02:57 | |
| Yiddish Song - G. D Agostino | Transe, psychédélique, Inde, raga. Piano Wha wha. | 03:48 | |
| Ora La Va - G. D Agostino | Danse traditionnelle. Sicile, Grèce, Italie. Sensuelle. | 02:17 | |
| Paco - G. D Agostino | Tango. Espagnol, flamenco. Printanière. | 02:53 | |
| Mandolin Moonlight Serenade - G. D Agostino | Ballade Sensuelle, romantique. Calme. Italie, Sicile. | 02:16 | |
| Marley Reggae - G. D Agostino | Un coté flamenco espagnol. Héroïque, romantique, sensuelle. | 02:43 | |
| Forest Dance - G. D Agostino | Pop, fusion entre Carlos Santana et Pink Floyd. Année 70. | 05:51 | |
| La Ferrina - G. D Agostino | Contemporain, jazz, urbaine, répétitive, transe, pop années 70. | 04:44 | |
| La Furlana - G. D Agostino | Italie, Sicile, printanière, danse traditionnelle, aventure, sensuelle, romantique, joyeuse. | 02:58 | |
| Dubai - G. D Agostino | Romantique, légèrement mélancolique. Détente. | 03:52 | |
| Espresso Shot - G. D Agostino | Italie, Sicile, Grèce. Nostalgique, lyrique, ballade. | 03:40 | |
| Fire And Ice - G. D Agostino | Italie, Sicile, médiéval. Danse traditionnelle. | 02:09 | |
| Cagliostro - G. D Agostino | Romantique, le soir au coin du feu. Italien, Sicile. | 05:26 | |
| Culture Club Reggae - G. D Agostino | Printanière, caraïbe, Sega. Danse, fête. | 03:17 | |
| Mexican Fiesta Groove - T. Stoilkovski | Happy, hot and gypsy styled mexican traditional flamenco tune with a modern based groove driving the beat. A night long fiesta on the shores of the beach. | 03:08 | |
| Far East Dream - T. Stoilkovski | Relaxed far eastern mood encompassed with strings and traditional instruments | 02:20 | |
| New Destinations - T. Stoilkovski | Eastern mystique meets urban salsa packed in percussive, positive pop. | 02:38 | |
| Funky Zorba - T. Stoilkovski | One part gypsy strummed guitar, one part funky groove with lead guitar interplay and lots of Mediterranean spice. A cocktail of European fun right in the heart downtown. EP @ 0'42. | 02:06 | |
| Bridge To You - T. Stoilkovski | Asian tinged deep chill out with ambient groove, cello and warm organ. | 04:13 | |
| Springtime Ident - L.J. Cedar | A short ident or sting. Good for corporate logo. Sting, Ident, Logo, Cool, Corporate. | 00:06 | |
| A Clapapella - L.J. Cedar | Acoustic track made with Hand claps, finger snaps, hand rubs and finger taps. Acoustic, Esoteric, Rhythmic, Offbeat, Lighthearted, Carefree. | 00:41 | |
| African Skies - L.J. Cedar | Optimistic and playful marimba track, perfect for a food/product TV commercial.. Ethnic, Light, Fresh, Refreshing, Upbeat, Optimistic, Playful. | 00:31 | |
| After A Cloud - L.J. Cedar | Moving sound collage of electric guitars and reverse female vocals.. Optimistic, light, ambient, original, positive, Cocteau Twins. | 00:44 | |
| Com Minhas Orelhas Eu Posso Ver - L.J. Cedar | Uplifting South American Latin, Brazilian dance track with added 80s feel and male vocal.. Brazil, Salsa, Merengue, South America, Upbeat, Summery, Feelgood, Acoustic, Pop, Energetic, Vivacious, Latin, Latino. | 03:53 | |
| Dexterity - L.J. Cedar | Cool Pnemonic, great for corporate company logo or sting.. Positive, Friendly, Up, Confident. | 00:04 | |
| Ocean Of Joy - L.J. Cedar | Dreamlike mantra track with Tibetan Choir and spoken voice. Good for meditation yoga.. Meditative, Calm, Uplifting, Ambient, Dreamy, Melodic. | 02:16 | |
| Drovagi - J. Pelizzari | Shakuhachi or ethnic flute, acoustic piano and calm and wide violins. Air. | 02:36 | |
| Dzernia - J. Pelizzari | Cymbalum and orchestral violins. Melody played by an ethnic instrument. Duduk or Zokra. Airy. | 02:30 | |
| Medzari - J. Pelizzari | Ethnic instruments type Ney, Qanun, Kemanche, Chagane, on synth inback ground. Oriental ambience, majestic, lyrical. Meditation. | 02:22 | |
| Sirounia - J. Pelizzari | Ethnic instruments type Kouitra or Sitar and Ney, violins. Slow, oriental atmosphere. | 03:08 | |
| Sukota - J. Pelizzari | Dialogue between an Erhu or Chinese violin and a koto, crystal percussion. Wide synth in background, discreet. | 03:40 | |
| Zakar - J. Pelizzari | Ethnic instruments type Duduk or Zokra, Kouitra, Sitar or Cymbalum and Ney and background of violins. Arrhythmic. | 03:24 | |
| Zenichaz - J. Pelizzari | Ethnic instruments type Duduk or Zokra, Kouitra, Sitar or Cymbalum and Ney and sheet of violins. Arrhythmic. | 03:40 | |
| Herenza - J. Pelizzari | Ethnic instruments type Chinese violin, Erhu. Background synth. Melody doubled on violins. | 03:17 | |
| Askarel - J. Pelizzari | Wide and calm background synth, melody played with oriental violins, crystal percussions. | 04:08 | |
| Azadir - J. Pelizzari | Violins in background and ethnic violin. Other ethnic instruments type Kemanche, Chagane. | 03:36 | |
| Chaghen - J. Pelizzari | Violins wide and soft, ethnic violin. Ethereal melody. Violin solo. Ethnic instruments type Kemanche, Chagane or Erhu. | 03:35 | |
| Anvarleili - J. Pelizzari | Song and ethnic violin with oriental phrasing for the melody. Large orchestral phrases of oriental violins. Cimbalom. | 05:00 | |
| Adonizia - J. Pelizzari | Choirs, birds. Theme on the vocoder. Bass synth, electric piano. Melodica. | 03:24 | |
| Sirius - O. Olsen | Percussions and fast drums, tubular bells, brass and violins with tense harmony, anxiogenic effects. 1'12 break, choirs. | 02:22 | |
| Fight Game - O. Olsen | Rhythmic drums toms. Violins in tense harmony. Ostinato of cello and double bass. Ethnic flute and instruments. Edit point at 1'06 break. | 02:21 | |
| Hot Under The Moon - O. Olsen | Percussion and drums, shaker. Melody to the flute, marimba. Indian Sitar, tabla. | 01:24 | |
| Requiem Warrior - O. Olsen | Deep note of double bass, oriental oboe, timpani, violins, choirs. | 02:04 | |
| The Celtic Legend - O. Olsen | Harp, flute, violin. Adventure, chivalrous, heroic. Edit point at 2'01 Percussion, brass instruments. Tragic, sad. | 03:41 | |
| Zum Zum - M. Madoré | Medieval country. Guitar picking and Brazilian percussions, kalimba and flute, violin. Exotic, party. | 02:20 | |
| Ma'Hé - M. Madoré | Sequence of percussive instruments. Marimba. Melody on flute. Oriental ambience, India and ancient Greece. Psychedelic, tribal, trance. | 05:33 | |
| Petit Cabri - J-M Boiteux | Steeldrum ritournelle, percussion and drums. | 02:30 | |
| McBeth - J-M Boiteux | Deep, repetitive and slow synth. Bagpipe. 1'48 Tambourine and fast percussion. Funeral march, disaster, end of battle. | 04:56 | |
| Kalimnos - J-M Boiteux | Melody played with 2 mandolins. Oriental tambourine or rikk. Ostinato of bass. | 04:37 | |
| Kirikou - J-M Boiteux | Set of rhythmic and melodic percussions for a short theme. | 00:28 | |
| Biko - J-M Boiteux | Percussion, monodic bass, a repetitive mandolin and one for the melody. | 02:23 | |
| Calle Negra - F. Zgorski | Afro Cuban Such as Comparsa. The comparsa is a collective dance of march, which originates in the secular festivals of the slaves during the Spanish colony, especially in the day of the kings. | 02:15 | |
| African Travel - F. Zgorski | Afro Cuban Such as Bembe. The Bembe are a Kongo ethnic group. The Bembe was originally a profane rhythm, the term Bembe is also used to designate a celebration or festivities with totally popular character. Congas. | 03:18 | |
| Bongo Salvage - F. Zgorski | Afro Cuban such as Changui. The Changui is a musical genre born about 1860 in the eastern part of Cuba. His instruments, the tres, the marimbula, the maracas, the guiro or guayo, metal vegetable rape, rubbed with a baguette and the bongo. | 02:44 | |
| Deep Congo - F. Zgorski | Haitian Style such as Vaccine. The Vaccin are the rhythms played for the carnival. | 03:06 | |
| Havana Street - F. Zgorski | Afro Cuban Such as Guaguanco rumba. The tumbadoras being the drums of Congolese origin serving rituals of Bantu origin palo, makuta, garabato. Transformation of barrels without the bottoms and on which are stretched dried animal skins. | 03:20 | |
| Killing Mountain - F. Zgorski | Afro Cuban Such as Palo Matanzas. The Palo is an Afro-American syncretic religion practiced in Cuba, close to Santeria and Candomble, it is African shamanic beliefs mixed with elements of spiritism, magic and Catholicism. | 02:51 | |
| Rumba 21 - F. Zgorski | Afro Cuban Such as Guarapachanguero. Cuban rhythm born in 1984. It is elaborated on the basis of the Guaguanco within the group Chinitos. | 02:15 | |
| Set With Pearls - F. Zgorski | Afro Cuban Such as Guiro. Of the Bembe family. Its name comes from the güiro name given to the calabash in Cuba, calabash which is used to make the Shekéré. | 02:14 | |
| Speedy Highway - F. Zgorski | Afro Cuban Such as Makuta. Originally, the Makuta accompanied the coronation ceremony of the kings congos in Africa. Used in the 19th century in the cabildos of Cuba, it went from ceremonial music to ritual and sacred music. | 02:37 | |
| Sticky Stick - F. Zgorski | Afro Cuban Such as Palo Havana. The Palo is a Congo tradition brought to Cuba by the slaves in the sixteenth century. The practice revolves around a central theme, the nganga, constructed according to a very precise ritual invoking the dead and forces of nature. | 03:12 | |
| Conversation Chaleureuse - F. Zgorski | Haitian Such as Ogu. Until very recently, voodoo represented the religion of the majority of the Haitian population. It is a set of African beliefs originating in particular from Dahomey and Nigeria that mingle with Catholicism. | 03:24 | |
| Juba - F. Zgorski | Haitian Such as Juba. Rhythm of the Dead. It is played during commemorations or burials, it is a gued ryhme the dead whose prince is Baron Saturday. | 02:41 | |
| Red Tambor - F. Zgorski | Afro Cuban Such as Columbia Havana rumba. Rumba is a Cuban musical genre, made of songs and percussions, which developed in the 19th century in the Afro-Cuban circles of the capital, Havana. | 02:54 | |
| Salty Meringue - F. Zgorski | Haitian Style such as Vaccin. The Vaccin are the rhythms played for the carnival. Congas. | 02:55 | |
| Senze Trip - F. Zgorski | Afro Cuban Such as Columbia Nongo. Columbia nongo is traditionally the first columbia created. She is native of Savanilla a small town next to Matanzas in Cuba. | 02:36 | |
| Questions orientales - A. Jamot | Ostinato of pizzicato, effects of oriental flute. 0'23 Rhythmic electro, Synth guitar theme with oriental colors, oboe. Suspense | 04:52 | |
| Les fourmis technologiques - A. Jamot | Like a batucada. Solo of different rhythmic instruments. Edit point at 1'39 kick. | 03:51 | |
| The End - M. Bedot | Ambient acoustic guitar and accordion. Melodic and rhythmic. | 01:38 | |
| Achal Cuchi - M. Bedot | Intro ternary rhythm, cora and drums. Several breaks with intervention of different ethnic instruments as well as cora, trumpet, cymbalum and acoustic piano. | 04:31 | |
| Dream Catcher - C. Mathieu | Progressive rock drum. Strange song. Ethnic instruments, drums. Edit point at 0'59 and 1'25 break and crescendo. | 02:15 | |
| Ovoe Jungle Jazz - P. Gaillard | Percussion and double bass ostinato. Organ, sensual ethnic flute, soft evolution. 1'17 part B, melody on the electronic piano. | 02:11 | |
| Biological Clock - P. Gaillard | Crescendo of synth, rhythmic of ethnic percussions. Electric piano, bass arpeggios, ethnic violin theme. From 2'19 to 3'06 change of rhythm. | 05:00 | |
| Vendetta - H. La Guerche | Folklore and sirtaki. Discrete bass and drums. Calm. | 03:20 | |
| The Door Of Return - C. Nouailhaguet | Theme on ethnic flute, percussions and deep drums, violins and orchestra. Edit point at 0'30, break. | 00:57 | |
| Sanza Western - F. Zgorski | Sequence of Kalimba. Tribal Rhythmic offset, mix of drums and percussion. Polyrhythm. | 04:26 | |
| Early Spring From China - Chuang Yin Ge | Fête des premiers bourgeons. Chine. | 02:07 | |
| Joyful Chinese Countryside - Li Ke | Fête au village. Chine. | 01:09 | |
| Early Morning With You - Wu Le | Aurore et réveil de la nature. Ambience et percussions. Chine. | 02:50 | |
| Frontier Impression - Wu Le | Danse folklorique évolutive. Chine, orient et autres pays. EP @ 0'53. | 02:18 | |
| Joyful Time - Wu Le | Petite chinoiserie. EP @ 52s avec point d'orgue et final. Chine. | 01:03 | |
| Such A Beautifull River - Wu Le | Révérences, paysages calmes. Marche, danse lente. Chine. Shamisen, koto. | 02:38 | |
| Truly Yours My Love - Wu Le | Promenade romantique en barque sur le lac avec les cygnes. Sonorités asiatiques, koto, shamisen. | 02:37 | |
| Chinese Era Folk Music - Liu Yan Chrisg | Deep forest asiatique. Chine. | 02:14 | |
| Dong Ting Lakeside - Chuang Yin Ge | Promenade. EP @ 0'28. Chine. | 02:10 | |
| Xinig Sad Melody - Chuang Yin Ge | Quète ou jardin orientale. Chine. | 02:02 | |
| Impression Of Guang Dong Province - Wang Xin | Balade ethnique. Guang Dong. Chine. | 01:38 | |
| Joyful Journey - Chuang Yin Ge | Beauté champètre. Chine. | 02:11 | |
| Light Like The Wind - Wu Le | Méditation, rêveries, jardins et paysages. Chine. | 01:50 | |
| Looking For You - Wu Le | Images évolutives, envolées, paysages et scènes asiatiques. EP @ 3'15. Chine. | 05:38 | |
| My Old Home - Wu Le | Intro ambient new age, suite country pop. Chine. | 02:43 | |
| Mysterious Bamboo Forest - Li Ke | Aventure en fôret profonde. | 02:10 | |
| When America Meet China - Chuang Yin Ge | L'empire du soleil levant. EP @ 0'28. Chine. | 02:10 | |
| Bird Singing In Osier Trees - Wang Xin | Comment cultiver son jardin secret chinois. | 01:17 | |
| Chinese Countryside Impressions - Li Ke | Percussions asiatiques, répétitif. Chine. | 01:48 | |
| Chinese Countryside Scene - Long Yun | Scène de vie quotidienne, instruments traditionnels. Chine. | 02:25 | |
| Chinese Folk Song - Long Yun | Sur un air chantant, violons et instruments traditionnels. Chine. | 02:43 | |
| Chinese Hometown Melody - Chuang Yin Ge | Tradition, modernisme et beauté. Chine. | 02:06 | |
| Chinese Light Wind - Wu Zhi Yan Chris | Grand orchestre asiatique. Chine. | 03:01 | |
| Chinese Percussion Festival - Li Ke | La fète du dragon rouge. Chine. | 01:18 | |
| Festivity In Pyongyang - Wu Le | Festif et joyeux. Version 30S. Chine. | 00:26 | |
| Fuzhou Little Creek - Wu Le | Ballade printanière et fraiche avec orchestre symphonique par endroit sur fond de ruisseau. Chine. | 05:08 | |
| Goodbye Time - Wu Le | Slow du canton. | 03:43 | |
| Great Quiet Mountain - Wu Le | Ballade traditionnelle. EP @ 2'05 Fin puissante. | 02:18 | |
| Green View - Du Ke | Nature, campagne, jardin secret. Fin orchestrale. Chine. | 03:21 | |
| Happy Face In Time - Wu Le | En avant les p'tits soldats. Majorettes ou pompom girls. | 01:26 | |
| Harvest Time - Wu Le | La grande vadrouille ou le temps des moissons, film des années 70. Chine. | 01:01 | |
| Impression Of Old Town Beijing - Wang Xin | Promenade dans le vieux Pékin. Chine. | 01:45 | |
| Impression Of Qing Hai Province - Wang Xin | Sacrifice, tension, néoclassique. EP @ 0'39. QingHai Chine. | 02:24 | |
| Impression Of Tibet - Wang Xin | Intro ambient, EP @ 60S. Percussions, batterie flute et ouverture. | 03:37 | |
| Impression Of Yun Nan Province - Chuang Yin Ge | Danse, ballet traditionnel. Chine. | 02:27 | |
| Jiang Nan Melody - Chuang Yin Ge | Positif, mélodie occidentale et sonorités asiatiques. Chine. | 02:10 | |
| Light Fly - Wu Le | L'aventurier tranquille. EP @ 1'19. Chine. | 03:10 | |
| Sensation In Yinchuan Palace - Wu Le | Réveil des sens. Ambiance mystérieuse et majestueuse. Chine. | 04:25 | |
| Smoke In The Desert - Li Ke | Plaine aride, solitude. | 00:33 | |
| Southern China Ambiance - Chuang Yin Ge | L'empire du levant moderne. EP @ 0'28. Chine. | 02:24 | |
| Southern China Daily Sound - Chuang Yin Ge | Large, victorieux, nouveu monde. Chine. | 02:16 | |
| Story And Ballad Singing - Wang Xin | A la découverte de la Venise Chinoise | 01:49 | |
| Summer Night Of Feng Bridge - Wang Xin | Bruitages d'insectes puis balade calme, ambient. Chine. | 02:35 | |
| Sunset Road - Wu Le | Musique de chambre moderne. | 03:06 | |
| Walk In Jiang Nan Garden - Wang Xin | Balade dans les jardins de Jian Nan. Chine. | 01:48 | |
| Wonderful Cheng Du Palace - Chuang Yin Ge | Ballet, danse à la cour royale. Traditionnel. Chine. | 02:10 | |
| Elephant - F. Lebourg | Arpeggios of ethnic instruments. Melody played by an ethnic instrument. Duduk or Zokra. | 01:21 | |
| Acymba - J. Pelizzari | Melody played on the piano or the cymbalum. Typical rhythmic tango with double bass, percussion, organ and accordion. Tango electro world, Gotan Project. | 02:10 | |
| Zafiore - J. Pelizzari | Tango musette Such as Gotan Project. Bandoneon and Gypsy violin. | 03:08 | |
| Guzhen Song - T. Chaze | Intro Koto, percussion from the Far East. Edit point at 1'42 Orchestral Violins. Sheng. | 02:44 | |
| In The Brush - T. Chaze | Kalimba, percussion, crescendo of background synth, ethnic flute. Drum roll. | 03:08 | |
| Isaia - T. Chaze | Intro song and ethnic voice, flute. Edit point at 0'22 Rhythmic electro. Men's choirs and women's response. From 1'47 to 2'10 Rhythm change. | 03:42 | |
| Chinese Folk - T. Chaze | Chinese drum roll. Koto. Edit point at 0'47 and 2'01, change of rhythm, melody to ethnic flute and extreme eastern rhythm. | 03:04 | |
| Wisdom Place - T. Chaze | Orchestral, Great Harmony. Ethnic flute. Gong. Eastern. | 02:35 | |
| Putayam - T. Chaze | Indian dance at the Bollywood. Different sound elements of ethnic origin on a rhythmic dance. Version 30s. | 00:30 | |
| Outside - J-M Cazorla | A folk guitar accompaniment, another for melody and solo. Percussions of skin and terracotta. Discreet violins. | 02:37 | |
| Harmonic - F. Bry | Acoustic guitar played as an Indian sitar. Udu or terracotta jar. | 01:39 | |
| Tribal Bottles - P. Sanchez Garcia | Mixes of African percussion, Indian percussion, and a drums. Exchange of solos. | 03:31 | |
| Click And Smoke - P. Sanchez Garcia | Rhythm based on onomatopoeias and sound effects. | 01:17 | |
| Ethnic Fonck - P. Sanchez Garcia | Intro of ethnic instruments, flute. Edit point at 0'22, synth, bass drums, organ, power. A mixture of tradition and modernism. | 04:41 | |
| Rice Field - F. Niobey | Groove light and funky, percussion. Melody with flute and marimba. | 02:03 | |
| Your Island - F. Niobey | Ostinato de marimba, violins, kalimba, acoustic piano theme. Edit point at 1'36 Mystery Phrases. Edit point at 1'36 Mystery Phrases. | 03:25 | |
| Okaekala - S. Chaffer | Didgeridoo, synth effects. Sample ethnic, percussion, rhythmic electro. Psychedelic, ceremonial. | 02:37 | |
| Didj Game - S. Chaffer | Australian rhythm and blues. James Brown guitar and bass and energetic didgeridoo. | 02:53 | |
| Child India Song - P. Gaillard | Indian Sitar, electronic percussion and wide bachground synth. Groove with bass fretless. Melody with an enchanting voice, a child. 1'59 break. | 03:36 | |
| Lost In Percussions - P. Gaillard | Synth sounds effects. Percussion. Rhythmic trance. Edit point at 0'48, 1'28 rhythmic evolution. | 02:40 | |
| Gizeh Dream - T. Chaze | Intro rhythm oud riff. Heavy rhythm and oriental percussions. Edit point at 1'01, double tempo, Duduk, synth sound. | 03:05 | |
| Karmarama - T. Chaze | Tabla, ethnic flute, discreet Synth in background. Progressive construction of a rhythm. 1'25 various disturbing sound elements. Sample of voice. | 03:04 | |
| Malaya - T. Chaze | Percussions in the distance and others more present. African colors. | 02:32 | |
| Alhambra - T. Chaze | Intro ethnic flute, synth background. Several changes of tempos. Reverse cymbals and percussion. Electro rhythm. | 02:58 | |
| Beduins Move - T. Chaze | Intro ethnic flute, darbouka. 0'15 rhythmic ostinato with bass drums and melody on the flute. 1'25 station. | 02:38 | |
| Bosphore - T. Chaze | Rhythmic drums and percussion, bass. Discrete synth, repetitive bass ethnic flute. | 03:25 | |
| Saravaati Celebration - T. Chaze | Intro ambiance indienne, tabla et synthé. Edit point at 0'27 rythme rapide, thème au piano acoustique et réponse aux violons, sitar indien. 1'26 partie B. | 03:37 | |
| Celtitude - J-M Cazorla | 2 acoustic guitars, accompaniment and theme, percussion, violins. Slight rhythmic background. | 01:33 | |
| Lunna - J. Pelizzari | Different sounds of steel drums, flute, toy piano, or crystal bells for a lively, positive melody. | 02:51 | |
| Irish Warllad - P. Sanchez Garcia | Scottish Military Theme, Bagpipes and Snare Drums. | 02:33 | |
| Balance - J. Greenhow | Ostinato rhythmic played by medieval instruments. Melody played on the oboe and response on the acoustic piano. | 01:46 | |
| Zenith - T. Chaze | Darbuka, accordion and percussion. Oud, bass, sample of ethnic voice. Saturated Synth. | 03:39 | |
| Krishna - T. Chaze | Indian sitar, tabla, tampoura and indian oboe. | 02:16 | |
| Maya's House - A. Roy | Tribal didgeridoo rhythmic, bass and floor toms Rhythm. Different solos. | 02:56 | |
| Title Screen - A. Roy | Flute of pan, harp and snare drum. Percussion, men's choir, folk and electric guitar. Western. | 01:14 | |
| Main Map Part 1 - A. Roy | Jew's harp, flute, choirs and Andean percussions. Theme voice mmhh and cello. Traditional ballad. | 01:55 | |
| Main Map Part 2 - A. Roy | Guitar, trumpet and percussion Andean. Violins. Andean folk ballad. | 01:55 | |
| Cattle Drive - A. Roy | Banjo, acoustic guitar and folk rhythm. Dance, far-west. | 01:14 | |
| Istambul - G. Wilmot | Repetitive cymbalum phrase. Darbuka. Duduk. Ankle bells. | 02:12 | |
| Andalousie - G. Wilmot | Acoustic piano, flute and violins. Flamenca Harmony. | 02:09 | |
| Le Talisman - G. Wilmot | Acoustic guitar arpeggio. Percussion and oriental synth. | 02:21 | |
| Aurore Orange - S. Chaffer | Variation of didgeridoo solo. | 02:02 | |
| Mauvais Esprit - S. Chaffer | Didgeridoo, several rhythmic sequences. Esoteric, hovering, captivating. | 01:55 | |
| Transe Pacifique - S. Chaffer | Didgeridoo solo, acceleration, several rhythmic passages settle gradually. | 05:08 | |
| Autruche Bleue - S. Chaffer | Variation of didgeridoo solo. | 04:58 | |
| Chasse Au Kangourou - S. Chaffer | Didgeridoo solo, progressive construction of a rhythm. | 04:52 | |
| Décantation - S. Chaffer | Improvisation of a solo didgeridoo, effects and various sounds. | 03:15 | |
| Transe-Plantation - S. Chaffer | Didgeridoo solo, improvisation on a rhythm. | 02:59 | |
| Tutti Salsa - J-P Bigourie | Cuban orchestra, brilliant brass, percussion, salsa Jingle. | 00:10 | |
| Chachacha - J-P Bigourie | Piano, bass, drums and percussion for a rhythm cha-cha-cha. Melody with flute and vibraphone. Violins and brass. | 00:32 | |
| Oriental - J-P Bigourie | Intro rhythm and violins. Theme with oriental colors also with violins. Theme reproduced by different instruments. Loop. | 01:36 | |
| India Land - J-P Bigourie | Percussion, synth. Theme in unison marimba and flute. | 02:59 | |
| Travels - J-P Bigourie | Intro synth and oud. Edit point at 0'43 Rhythmic. Theme on the ethnic flute. Accordion. 2'43 percussion. | 05:13 | |
| Mixed Blood - M. Dall Anese | Ethnic Voice. Synth sequence. Violins, ethnic instruments. Progressions of rhythm and orchestral blast. | 05:22 | |
| Sandal Wood - M. Dall Anese | Sitar, percussion and choirs. Ethnic Voice. Tabla. | 05:14 | |
| Suzie One - T. Cahn | As a famous koto theme, Chinese percussion and flutes. | 01:07 | |
| Late Call - P. Gaillard | Intro darbouka, rek, douf, lute. Ostinato of bass synth. Ethnic flute, oriental singing. Edit point at 1'55 break drums and percussion. The muezzin of modern times. | 04:50 | |
| Wah Jungle - P. Gaillard | Intro percussions, funky bass and syncopated synth. Theme in synth wah. Ethnic flute. 1'07 bass and percussion break. Improvisation of flute. | 03:03 | |
| Massai Call Dance - P. Gaillard | Intro synth with filter. Bass insistence. Ethnic voice samples. Techno tribal, African trance. | 03:45 | |
| Afriglia - J. Pelizzari | Sound of birds. Rhythm of electric piano. Melody with the trumpet and various interventions of instruments. Guitar, backing vocals. Edit point at 1'46 break. | 03:41 | |
| Magiska - B. Garcia | Reggae band. Melody and solo on guitar. Ska atmosphere and festive brass. | 05:08 | |
| Native Vibration - T. Chaze | Harmony of exotic synth, ethnic voice. Edit point at 0'45 unison synth and voice. | 03:13 | |
| Tribaloo - T. Chaze | African percussions and songs. Repetitive tribal theme. Incantatory, tribal, ceremonial. | 02:19 | |
| Slade - T. Chaze | Synth sequence, Slap bass, rhythmic sound effects. Effects. Theme with oriental influences. 1'01 Heavy drums. | 03:12 | |
| Aziatica - T. Chaze | Synth accent, flute, kalimba sequence and other ethnic instruments. Speech in Asian language, koto. | 01:45 | |
| Asian Travel - T. Chaze | Ethnic percussions. Deep synth, violins, bass flute, horn or ethnic brass. Version 15s. | 02:14 | |
| Austral - T. Chaze | Didgeridoo, crowd and singing. Percussions, marimba and singing in the far. Edit point at 1'18, percussion break. Ethnic flute, acoustic piano and fretless bass for the theme. 2'08 bass disco. 2'38 Voices. | 03:33 | |
| Un Coin Paisible Dans Le Monde - J-P Vielfaure | Violins, ethnic flute and mechanical rhythm. | 01:58 | |
| Ethnotic - T. Chaze | Ostinato of synth and bass. Theme on the violins. Ethnic Sample. 2'04 repetitive synth break. | 04:37 | |
| Zakat Mind - T. Chaze | Intro deep synth, Ethnic song, oud. 0'36 rhythmic electro and riff oud. Edit point at 0'54 flute and ethnic song. | 03:34 | |
| Mosaica - T. Chaze | Synth in background, ethnic flute, oriental harmony. 0'47 percussion, bass, ethnic voice, rhythmic electro. Edit point at 1'21 double tempo. | 04:02 | |
| Funky Roots - T. Chaze | Ethnic jam session and fusion music. | 04:29 | |
| India Mood - T. Chaze | Crowd ambience and percussion. Synth and bass. Ethnic Voices. 1'52 break ethnic instruments. | 03:41 | |
| Lakdari - T. Chaze | Rhythmic funk. Sample theme of voices and dark ethnic instruments. Edit point at 1'50 break bass fretless and lute. Part B saturated guitar. | 03:37 | |
| Yambottle - T. Chaze | Melody blown into a bottle. Synthé années 80. Heavy rhythm. | 04:06 | |
| Zulu Call - T. Chaze | Bass and sequence with ethnic voices. Edit point at 1'24. Quiet part with percussion. | 03:27 | |
| Engrenage - L. Marie-Sainte | Synth Sequence. Improvisation of electronic marimba. Microcosmos industrial. Stellar, sidereal. | 01:34 | |
| Africa Town - L. Marie-Sainte | Rhythmic marimba and urban sounds. | 01:08 | |
| Tango De Nourdin - L. Marie-Sainte | Tango with percussion, castanets, double bass and acoustic guitar. Melody and solo played on guitar. | 01:10 | |
| Rejoicing - P. Gaillard | Noise of wave on the beach. 0'39 percussion, synth and bass, 1'23 rhythm shuffle and melody on electric piano. | 03:33 | |
| Zouk Beach - P. Gaillard | Chords progression on electric piano, percussion and drums. 0'54 melody 1'20, waves on the beach, change of tone. | 03:17 | |
| Homme De La Mer - P. Gaillard | Wave sound, quiet synth, percussion, ethnic instruments. Ethnic Voice. | 03:40 | |
| Sea Water - P. Gaillard | Synth and calm groove, fast shaker. Theme played on the electric piano. Ethnic Voice. Jingle. | 00:09 | |
| African - P. Gaillard | Sounds of seaside. Crescendo of background synth, balafon, percussions, choirs mmhh. 1'04 ternary drums. Melody on the electric piano. | 03:23 | |
| Arrival - P. Gaillard | Wide and calm background synth, shaker, percussions, natural soundeffects. Melody on the synth far away. | 03:26 | |
| Fishing Dance - P. Gaillard | Sounds of seaside, percussion, electric piano, bass and violins. | 03:26 | |
| Outflute - P. Gaillard | Synth effect then rhythmic funky, bass slap. Ethnic flute. | 00:18 | |
| Forest Ballad - J-M Carbonne | Percussion, acoustic guitar, ocarina, bass, drums. Melody on guitar and response on ocarina. | 04:03 | |
| Oualam - J-M Boiteux | Male monodic choirs, singing and ethnic instruments, discreet saturated guitar. Percussion. | 03:47 | |
| Nichika - J-M Boiteux | Ethnic flute solo, short repetitive melody. | 01:21 | |
| Jardin d'été - J-M Boiteux | Koto in arpeggio. Instruments of the Far East. Ethnic Flute, Sheng. | 02:12 | |
| Bendidi - J-M Boiteux | Slow rhythm with natural and remixed percussion. Ethnic female song. 1'37 break. | 02:47 | |
| Zewitma - J-M Boiteux | Ethnic voice, tampura, synth in background. | 02:32 | |
| Tech Lise - J-M Boiteux | Industrial percussive and heavy. Different percussion interventions. 0'46 break. 1'30 talking drum. | 02:33 | |
| Sedona - J-M Boiteux | Ethnic flute, organ, violins. Percussion. 0'60 Electro rhythm. Repetitive theme. | 01:49 | |
| Tienda - J-M Boiteux | Deep synth, percussion, bass, saturated guitar wah wah, synth. Solo of rock guitar. | 02:54 | |
| Abyss Call - J-M Boiteux | Mmhh of male choirs. Repetitive theme on dobro. | 02:15 | |
| Messe Indienne - J-M Boiteux | Atmosphere of prayers. Ostinato of bass, notes of acoustic piano. Violins. Underscore version 2. | 01:31 | |
| Nora - J-M Boiteux | Set of oriental percussions, Darboukas, Bendirs, Duffs, Riqs, Sagattes. | 00:48 | |
| Ouh Ba ! - J-M Boiteux | Dobro, electric guitar, organ, ethnic percussion, tribal cries. | 01:09 | |
| Radja - J-M Boiteux | Tampoura, tabla, melody with the synth in the colors of Far East. | 01:07 | |
| U-Cavu - J-M Boiteux | Repetitive theme on the dobro then on the vibraphone, mmhh of male choirs. | 02:28 | |
| Zakir - J-M Boiteux | Improvisation on different African and Indian percussions. | 01:56 | |
| India - J-M Boiteux | Women's choir and synth. Percussion and rhythm. Melody to the synth and response to the brilliant synth. | 01:38 | |
| Jan - J-M Boiteux | Violins, drums, melody and solo on saxophone, acoustic guitar. | 04:20 | |
| La Marche Du Lama - J-M Boiteux | Rhythmic light synth of flute and guitar. Colors of the Andes. 1'07 Bass. | 01:44 | |
| Lament Bulgare - J-M Boiteux | Choirs, bagkground synth and discreet piano, cymbal. Ethnic songs. | 03:00 | |
| Temple Of The Sun - J-M Boiteux | Cymbal, synth in background, double bass, guitar swells, backing vocals. | 01:30 | |
| Derviche - J-M Boiteux | Dervish of 2 guitars and percussions. Repetitive phrases and improvisation. Acceleration. Gong. | 01:35 | |
| Morning - J-M Boiteux | Intro ethnic sitar and voice. Rhythmic pop, samples of ethnic voices, electric guitar. 1'22 break. | 02:04 | |
| Malva - J-M Boiteux | Sitar, sequence of ethnic instruments, flute, synth. Regular rhythmic bass. Gong. | 02:26 | |
| Traffic - J-M Boiteux | Synth piano, improvisation of a koto, ethnic percussions. | 01:54 | |
| Miam Miam - J-M Boiteux | Drums, bass and guitar theme. Children's song. Creole. | 04:17 |