| titre | descriptif | 00:00 | Album |
|---|---|---|---|
| Consequence - R. Kothawala | Driven rhythmic Hybrid Cinematic Orchestral with steady trap drums, bowed strings, pads, pulses and ambient elements. Orchestra-Hybrid, Strings, Synth Pad, Electronic Instruments, Drums, Sfx. | 03:21 | |
| Pamirs - C. Scozzafava | Violin with percussions and electronic. Fragmented musical motifs performed by the violin. Useful for Documentaries and Soundtracks. | 02:55 | |
| Abstract Meandering - Frontal Lobe Push - J. Whitcher | Cinematic, Industrial, Strange, Suspens, Synth. Nature, Emotive, Universal, Electro, Ambient, Spacious, Moody, Guitar, Film, Emotion, Moving, Horizon, Underscore, Suspence. | 02:59 | |
| An Uneasy feeling - J. Whitcher | Cinematic, Industrial, Suspens, Repetitive, Synth, Bruitages. Nature, Emotive, Universal, Electro, Ambient, Spacious, Moody, Guitar, Film, Emotion, Moving, Horizon, Underscore, Suspence. | 02:20 | |
| Destruction - M. Litwinski | Experimental, Lab theme | 03:20 | |
| Industry Lab - D. Zebrowski | Experimental, Lab theme | 01:35 | |
| Survival Skills - T. Stoilkovski | An onslaught of percussive drums strides into a reflective string chorus. Plan your escape. | 02:24 | |
| Neon Express - T. Stoilkovski | All aboard the electronic, pop, industrial groove of the mysterious neon express train. | 03:18 | |
| Never Backing Down - T. Stoilkovski | Reflective piano intro then attacks into a grungy, gritty industrial pop theme. EP @ 0'30, 1'20. | 03:09 | |
| Night Vulture - T. Stoilkovski | Dance pop shuffle with trash guitars, feedback pads bop to synthetic bass and acoustic drums. Cutting through the energy and sounds of the neon underground. | 01:42 | |
| Paranoid Minds - T. Stoilkovski | Post industrial, avant garde crafted noise madness that instills paranoia and isolation. | 02:14 | |
| Beyond Your Limits - T. Stoilkovski | Percussive stomper with power guitars, tense strings and an overcoming attitude. | 03:30 | |
| Superguy - L.J. Cedar | Quirky Reggae Electronica with a japanese feel.. Quirky, Upbeat, Groove, Quaint, Fresh, Technology, Japanese. | 00:38 | |
| Oresteia la terre - A. Jamot | Timpani, industrial sounds, noises and effects of orchestra and instruments, pizz etc. | 04:32 | |
| Oresteia les habitants du placard - A. Jamot | Sound effects, noises and effects of orchestra and instruments, pizz, glissendo, etc. | 05:08 | |
| Piece for prepared piano numero 1 - A. Jamot | Piano solo. An industrial chain that gets carried away. Nothing is gone. Strange, repetitive, trance, psychedelic | 04:23 | |
| Renderosity - A. Jamot | Sound effects, wind noise, percussion and delay. Synth Sequence. Pink Floyd. | 07:06 | |
| Territoires L'usine - A. Jamot | Synth effects, texture, electronic sound sequence, reverb. | 00:44 | |
| Vulcain induss - A. Jamot | Slow rhythm of industrial sounds. Evolution to more impressive sounds. | 03:30 | |
| 13-8 Impair Et Pair - A. Jamot | Intro bass and sound effects. Synth, drums and distant and offbeat percussions. Progressively more present. Edit point at 2'25, Solo guitar, tense harmony. 4'52 End E.piano and flute solo. | 06:42 | |
| Piece for prepared piano numero 10 - A. Jamot | Piano solo. Inside the mechanical machine. Strange, mysterious. | 01:56 | |
| Piece for prepared piano numero 11 - A. Jamot | Piano solo. Dance of the Indus Guru. Psychedelic and tribal. | 03:15 | |
| Piece for prepared piano numero 12 - A. Jamot | Piano solo. In the Harmonic Jungle. Repetitive, dynamic, exotic. | 02:20 | |
| Piece for prepared piano numero 2 - A. Jamot | Piano solo. Rhythmic destructuring. The clock on the piano is out of order. | 04:22 | |
| Piece for prepared piano numero 3 - A. Jamot | Piano solo. The machine races. All in accelerated. | 00:49 | |
| Piece for prepared piano numero 4 - A. Jamot | Piano solo. Bjork music box. Dynamic and positive. | 02:14 | |
| Piece for prepared piano numero 5 - A. Jamot | Piano solo. The disappearance of intervals. Printanier and tribal. | 02:30 | |
| Piece for prepared piano numero 6 - A. Jamot | Piano solo. Swinging, positive, tribal, repetitive. | 02:46 | |
| Piece for prepared piano numero 7 - A. Jamot | Piano solo. Wild Piano. Regular, mechanical and spring. | 03:00 | |
| Piece for prepared piano numero 8 - A. Jamot | Piano solo. Piano Rodeo. Regular acceleration. | 03:13 | |
| Piece for prepared piano numero 9 - A. Jamot | Piano solo. Ride of young piano. Dynamic, adventure, psychedelic. | 03:44 | |
| Dark Heroes - C. Espern | Synth and anxiogenic sound effects. 1'07 drums and bass notes of acoustic piano. Evolutive with more and more sound elements. | 03:50 | |
| Born To Die - C. Espern | Intro spacy, synth and effects. Filtered and distorted rhythm. Short and repetitive theme. Stressful. | 02:48 | |
| Electro Scream - C. Espern | Anxiogenic sounds, Synth shout, heavy rhythm, saturated bass. 1'32 break. | 03:05 | |
| Mecanical - L. Liatard | Rhythmic made of sound effects of synths and sound effects. 3'00 electronic piano, screams. More and more strange. | 04:54 | |
| Alpha Blonde - F. Zgorski | Rhythmic with electronic sound effects and percussion. The voice of a child who counts, amuses himself, is deceived, laughs. | 03:31 | |
| Histoires Sans Paroles - F. Zgorski | Drums and sound effects very intense, very fast. Repetitive voice samples. | 04:48 | |
| Avorton - F. Zgorski | Dark sound effects. 1'01 Single drums. More and more sound objects. | 03:57 | |
| Hangover - F. Zgorski | Industrial sound effects, repetitive task of the robot. | 04:48 | |
| La Belle - F. Zgorski | Sounds like a hammer, repetitive percussion, synth and delay. | 05:15 | |
| Guarachar - F. Zgorski | Groove industrial and solo flute flights on mechanical background. | 03:51 | |
| We Decide Not To Die - P-J Beaudoin | Rhythmic of anguishing sounds. Electric piano distorted. Futuristic, experience, mechanical, dark. | 02:41 | |
| L'usine - F. Bry | The throbbing universe of machines. Sound effects. Robot. | 02:43 | |
| Click And Smoke - P. Sanchez Garcia | Rhythm based on onomatopoeias and sound effects. | 01:17 | |
| Leviatham Zhyl - P. Sanchez Garcia | Malignant. Rhythmic of dark sounds. Bass synth. Air guitar. Contemporary atmosphere, psychedelic, trance. | 02:56 | |
| Shoot Down - T. Chaze | Intro of synth and sound effects. Sample RnB drums, synth crescendo. 0'40 sample of voice, tense harmony. 1'27, 2'30 breaks. | 03:33 | |
| Diggerthings - P. Sanchez Garcia | Dark rhythmic with industrial sounds. Samples various, didgeridoo. Chord suite on synth. | 03:17 | |
| Electric Moogiland - P. Sanchez Garcia | Synth sequence. Percussion, bass drum and bass. 0'53 stop sequence. Organ. 1'11 sequence again. | 02:13 | |
| Zyoyz - T. Chaze | Synth and guitar in distortion, dissonant, aggressive. Rythmic distant, sample of voice. | 03:27 | |
| Nightlights - B. Reeb | Lights of the night, distant stars with a thousand shimmering colors, lost in the vast expanses of the sky. | 07:20 | |
| Magicuss - T. Chaze | Effects of anxiogenic synth. Rhythmic industrial sound effects. Loop. | 03:48 | |
| Hip No - T. Chaze | Synth low and deep, disturbing, anxiogenic. Slow and saturated drums. Edit point at 01'18 break. | 02:36 | |
| Swigger - T. Chaze | Electronic percussion sequence. Edit point at 1'08, synth blast. | 02:54 | |
| Nike Theme 2 - T. Chaze | Filtered drums, guitars and scratch. Hey. | 00:52 | |
| Nirva - T. Chaze | Industrial rhythm made of sound effects. Repetitive bass. | 00:52 | |
| Ultradensity - T. Chaze | Intro of saturated sounds and synth. Aggressive bass and synth sequences. Melody pop. | 04:02 | |
| Vulcain - T. Chaze | Intro distant choirs. Rhythmic industrial sound effects. Choir beyond the grave. | 03:50 | |
| Boosty - T. Chaze | Intro repeatable pop melody, saturated synth bass. Edit point at 0'52 drums break. Version 60s. | 01:00 | |
| Coton Club - T. Chaze | Industrial noise. Guitar wah wah. Bass and synth in unison. Sound elements. | 01:38 | |
| Bob 3 - T. Chaze | Bass synth sequenced. Dark Synth effects. Stripped-down drums | 00:44 | |
| Ovni - T. Chaze | Several synths, filters and delay. | 01:05 | |
| Impression - T. Chaze | Distanced notes of E.Piano abd synth bass. Melody as sweet as a flute. | 01:52 | |
| Triptop - T. Chaze | Urban images. Synth deep, wide, anxiogenic. Sounds worrying. Rocking guitar. Edit point at 1'16. Heavier rhythmic. | 02:30 | |
| Fooggy - T. Chaze | Distorting, distorted rhythmics, sounds of wars. | 01:17 | |
| Riposte - T. Chaze | Wide and deep percussion. Ostinato of staccato cellos. Synth sequence. Effects. | 01:00 | |
| Number 1 And 2 - T. Chaze | Synth and lugubrious gong, saturated guitar, urban percussion. | 01:00 | |
| Heaven Files - T. Chaze | Industrial noises. Repetitive anxiogenic melody. | 02:40 | |
| Nike'S Double Rv - T. Chaze | Space synth, saturated rhythm. Sound effects. | 01:00 | |
| Space Junker - T. Chaze | Industrial rhythm. Saturated guitar. Bass wah. Monodic melody. Version 30s. | 00:30 | |
| Urban Connexion - T. Chaze | Sounds and synth bass tense. Mechanical rhythm. Violins and squeaks. | 02:18 | |
| Your Cab Is Ok - T. Chaze | Dark synth. Guitar delay. Tribal drum in the background. Jingle 30s. | 00:30 | |
| Chaotica - T. Chaze | Dark, repetitive sounds and synths. | 01:00 | |
| Cyclotron - T. Chaze | Rhythm based on onomatopoeias and sound effects. Repetitive Synth Riff. Edit point at 60s, heavy drums, tense synth. | 02:50 | |
| Distorted Net - T. Chaze | Synth sequenced and repetitive on a single note. Heady, overbearing. | 01:00 | |
| Eradicaters - T. Chaze | Bass synth sequenced. Orchestral hit. Industrial sound, metallic. | 01:00 | |
| Engrenage - L. Marie-Sainte | Synth Sequence. Improvisation of electronic marimba. Microcosmos industrial. Stellar, sidereal. | 01:34 | |
| Abysses - P. Gaillard | Effects of anxiogenic synths. Bass rock played with the mediator. Melody with tense harmony. Edit point at 1'19 break of electronic percussions. Ethnic shout. Version 10s. | 00:10 | |
| Real World synth - J-M Boiteux | Synth sequence, drums and toms, 0'50 bass. | 02:25 | |
| Cléopatre Part 2 - J-M Boiteux | Slow and heavy drums and bass, rhythmic sound effects. | 01:45 | |
| Tech Lise - J-M Boiteux | Industrial percussive and heavy. Different percussion interventions. 0'46 break. 1'30 talking drum. | 03:00 | |
| Uber - J-M Boiteux | Jingle industrial. | 00:57 | |
| He’s A Problem - J. Diggs-Irons | Powerful hip hop instrumental with brass synths and big drums. Drum-Machine, Programmed Drums, Synths, Sfx. | 02:48 |