| titre | descriptif | 00:00 | Album |
|---|---|---|---|
| Music Machine - P. Gaillard | Mechanical and strange rhythm made from sounds coming only from the double bass and the violin. | 02:16 | |
| Rotation - G. Goué | In the morning mist. Wispy textures accompany a distant, ghostly voice. at 1'04 The piano brings back some reality. | 03:32 | |
| Pamirs - C. Scozzafava | Violin solo version. Fragmented musical motifs performed by the violin. Useful for Documentaries and Soundtracks. | 02:46 | |
| Rising Anger - D. Capoccitti | Orchestra hybrid, rock/metal band fusion, slowly building with a magical fanatical feeling. Orchestral/Symphonic, Orchestra-Hybrid, Fusion. | 02:38 | |
| Art and Space - P. Dabrowski | Minimal structure, prepared Piano with Trumpet theme | 02:47 | |
| Underworld For Now - L.J. Cedar | A quirky ambient sound collage that's good for horror or thriller TV ? Film cue. Eerie, Odd, Curious, Quirky, Avant garde, Moody, Mad, Unsettling. Synthesizer, Trumpet, SFX, Vocal sample, Drums. | 00:45 | |
| Things Fall Apart - F. Paco | Jazz, Contemporary, Strange, Trumpet, Bruitages. Africa, Jazzy, soul. | 04:40 | |
| Astral Voices - K. Kucz | FX Voices, Abstract and Mysterious | 03:07 | |
| Cracatoa - Volcano - E. Sielicki | Short version. Dynamic, Motoric sequences. Grand Piano and Percussion Enemble | 00:36 | |
| In Search Of Colours - K. Kucz | Cello over FX. Synths | 01:29 | |
| Magnetic War - E. Sielicki | Short version. Dynamic, Motoric, Powerful sequences for Timpani. Drums, Grand Piano and other percussion instruments | 01:17 | |
| Rhythmea - E. Sielicki | Short version. Abstract, Surreal Percussion Sounds. Grand Piano | 01:49 | |
| Steel Wall - K. Kucz | Drums loop over FX sound. Motoric | 01:56 | |
| Steps In The Dark - K. Kucz | Percussion Abstract Sounds over Rhythmic Structures | 03:46 | |
| Tides On A Mysterious Bay - E. Sielicki | Short version.Mystic, Surreal FX sounds with Grand Piano and Percussion. Contemporary Textures | 01:04 | |
| Tristea - E. Sielicki | Short version.Minimal, Contemporary Textures for Piano, Synth and Percussion Ensemble | 00:40 | |
| Whispers - K. Kucz | FX Voices, Abstract and Mystic | 03:00 | |
| Wooden Kingdom - E. Sielicki | Short version. Cartoon, Funny, Humorous theme for Vibraphone, Marimba, Xylophone, Grand Piano | 00:28 | |
| Devil's Nose (Caucherman) - GD 78 | Exotic and strange piece with electric guitar, saxophone, female voice, percussions and drums. Art Ensemble of Chicago. | 07:29 | |
| Nacht - GD 78 | German singing. Strange melody with some notes of saxophone, guitar swell, percussion and organ | 02:32 | |
| Il Golpe - GD 78 | Contemporary jazz, sung melody, improvisation on saxophone. Drum and electric guitar. | 05:37 | |
| Clakson - GD 78 | Contemporary jazz ambient played on saxophone, marimba with singing female voice. Strange, tense. | 06:11 | |
| Bribery - R. Luczak | Dynamic, Aggressive theme. | 02:34 | |
| Dead Forest - R. Bednarczuk | Dramatic Cello Impression. | 02:44 | |
| Hiding Place - R. Luczak | Minimal. Mysterious, Tension atmosphere. Abstract Sounds. 30' version | 00:32 | |
| Who He Should Be - D Agostino | Suite of distorted sound images. | 01:03 | |
| Secret Sanity - D Agostino | Sounds very distorted. Different distorted sound images. | 14:12 | |
| Left My Gun Behind - D Agostino | Very tense atmosphere with sound effects evolving to a crazy techno rhythm. | 05:49 | |
| About Us - R. Bednarczuk | Slow, poignant guitar theme over rising string pads | 06:16 | |
| Chemisty Lab - D. Zebrowski | Futuristic, New Age theme | 02:11 | |
| Desolate Factories - M. Sapinski | Accordion theme, somewhat nostalgic, solitude, | 02:36 | |
| Destruction - M. Litwinski | Experimental, Lab theme | 03:20 | |
| Industry Lab - D. Zebrowski | Experimental, Lab theme | 01:35 | |
| Microsurgery - D. Zebrowski | Static, Experimental Sounds | 02:03 | |
| Shadow Games - T. Stoilkovski | Trembling, shadow like strings dance with orchestral pieces evoking a inquisitive mystery. | 02:21 | |
| The Battle Rages On - T. Stoilkovski | Ominous, epic strings meet big percussion and choir with a tenacious, hungry attitude. | 02:30 | |
| Stravinsky Coffee Break - G. D Agostino | Contrepoint. Ensemble à vents, basson, flute, hautbois. joyeuse, positive. | 00:52 | |
| Paranoid Minds - T. Stoilkovski | Post industrial, avant garde crafted noise madness that instills paranoia and isolation. | 02:14 | |
| Dirty Words - T. Stoilkovski | Psychedelic mid paced trip pop with a dose of sideshow organ, female falsetto vox and early drum machine triggering. | 03:00 | |
| Adagio Dramatico - L.J. Cedar | Emotional and dramatic orchestral string piece. Reminicent of Samual Barber.. Emotional, Emotive, Sad, Pensive, Suspenseful, Moving, Samuel Barber. | 00:41 | |
| Americas Cup - L.J. Cedar | Classical theme with world music elements and instruments. Perfect for Commercial branding for a global company. (airline etc). Expansive, Classical, Confident, Emotional, Emotive, Heroic, World, International, Global, Ethnic. | 01:05 | |
| Bobo music la voiture - A. Jamot | Slow progression of different textures. | 06:40 | |
| Bobo music le travail - A. Jamot | Scalable rhythm made of several industrial sound images. | 06:40 | |
| Brumes le désert - A. Jamot | Acoustic background, industrial sound images. Synth sounds. Anxiety, empty, desert. | 01:56 | |
| Brumes les oiseaux - A. Jamot | Orchestral and instrumental effects. Madness, flight of birds, strange world, disturbing. | 02:10 | |
| Coryphee - A. Jamot | Synth effects. Tense harmony. Anxiogenic sounds. | 01:22 | |
| Crazy crazy - A. Jamot | Evolvong riff off saturated guitar. That's all. | 04:08 | |
| Cry and shout - A. Jamot | Synth effects. Ethereal Voice. Anxiogenic sounds. | 03:56 | |
| Curieux orient - A. Jamot | Splash of cymbals, gong, marimba, bells and various percussions. Violins, oboes. No apparent order. | 05:17 | |
| Drone dream - A. Jamot | Slow grow up of a singular and evolving texture. | 06:00 | |
| Ghost aktion - A. Jamot | Synth effects, evolutive textures. | 03:32 | |
| Intime conviction - A. Jamot | Acoustiv piano, double bass, synth. Modern jazz suite, several distinct universes. | 13:35 | |
| Les Matières - A. Jamot | Effects of classical orchestra and instruments. Staccato, slides, accents, etc. Contemporary expression of matter. | 03:26 | |
| Les sens contre sens - A. Jamot | Two violins, long dissonant notes. 2'36, 3'31 digital bug effects. | 04:50 | |
| Les sens de l'air - A. Jamot | Sounds of air under pressure, panoramic, rhythmic delay. | 04:44 | |
| Les sens de l'eau - A. Jamot | Synth effects, round, imitating aquatic sounds. Clicks and delay. | 05:09 | |
| Les sens de l'onde - A. Jamot | Synthetic effects, waves, insects or motors. Up and down. | 05:16 | |
| Les sens de la terre - A. Jamot | Synth effects, waves, mobilities. Pink or white noise. Amount and descending. | 04:28 | |
| Les sirènes de Fribourg - A. Jamot | Synthetic effects, aerial voices and delay, electronic noise, sound effects and distortion. | 17:08 | |
| Oresteia Chaos - A. Jamot | Orchestral effects and instruments, glissendo, pizz, tense phrase etc. | 05:20 | |
| Oresteia la pluie - A. Jamot | Industrial sounds, noises and effects of orchestra and instruments, pizz etc. | 06:12 | |
| Oresteia la terre - A. Jamot | Timpani, industrial sounds, noises and effects of orchestra and instruments, pizz etc. | 04:32 | |
| Oresteia les habitants du placard - A. Jamot | Sound effects, noises and effects of orchestra and instruments, pizz, glissendo, etc. | 05:08 | |
| Oresteia paradise fantome - A. Jamot | Sounds, noises and effects of orchestra and instruments, tremelo, pizz, glissendo, etc. | 03:11 | |
| Piece for prepared piano numero 1 - A. Jamot | Piano solo. An industrial chain that gets carried away. Nothing is gone. Strange, repetitive, trance, psychedelic | 04:23 | |
| Première stase part 1 - A. Jamot | Accents of orchestra and dissonant long notes, orchestral effects anxiogenic. 1'34 strange melody. | 03:15 | |
| Première stase part 2 - A. Jamot | Rhythmic timpani. Accents of orchestra and dissonant long notes, orchestral effects anxiogenic. | 06:12 | |
| Renderosity - A. Jamot | Sound effects, wind noise, percussion and delay. Synth Sequence. Pink Floyd. | 07:06 | |
| Stase l'inconnue - A. Jamot | Crescendo of violin note, percussion. Timbale roll. Crescendo of orchestra. 1'24 Melody in Pizzicato of violin. | 03:02 | |
| Stase la romance - A. Jamot | Atmosphere of industrial noise. Violins. Melody on the solo violin. Celestial choirs. | 05:15 | |
| Strings nightmare - A. Jamot | Melody tense on the cello. Rhythmic rubber synth. Violin in response. Jazz drums. Overall tense. | 03:52 | |
| Territoires exploration - A. Jamot | Synth effects, texture, experimental, performance, mass in motion, industrial sound effects, electronic buzz. | 06:25 | |
| Territoires interdits - A. Jamot | Synth effects, texture, rumble, electronic sounds very low and very high. Anxiogenic rhythm. | 02:35 | |
| Territoires L'usine - A. Jamot | Synth effects, texture, electronic sound sequence, reverb. | 00:44 | |
| Vagues electroniques - A. Jamot | Panoramic synth effects. Variations of tone, volume, glissando. | 04:55 | |
| Vagues stellaires - A. Jamot | Textures. Different waveforms, variations of tone, timbre. | 05:04 | |
| Vulcain induss - A. Jamot | Slow rhythm of industrial sounds. Evolution to more impressive sounds. | 03:30 | |
| Xca Energy buzz - A. Jamot | Electronic textures. Different waveforms, variations of tone, timbre. | 00:43 | |
| Xca Fly race - A. Jamot | Panoramic glissandos of synth effects with different waveforms, variation of tone, timbre. | 03:38 | |
| Xca ghost buster - A. Jamot | Textures. Shapes of panoramic waves, oscillations. | 02:12 | |
| Xca le son de l'espace - A. Jamot | Textures or electronic noises stalling, change of tone. | 04:05 | |
| Xca le son du neant - A. Jamot | Dissonances of pure wave forms. Variations of vibrato. | 02:45 | |
| Xca cristal chapelle - A. Jamot | Evolutive texture, synth effects, anxiogenic. Large celestial organs. | 03:10 | |
| Voyage intergalactique - A. Jamot | Psychedelic effects, texture, sound effects. | 06:34 | |
| Adagio contemporain - A. Jamot | Harpsichord, violin, cello. Winter landscape, stripped, heavy. | 10:09 | |
| Swedish afternoon - A. Jamot | Alternations of tension, suspense, horror, calm and mysterious. | 05:22 | |
| Ritournelle - A. Jamot | Harpsichord, oboe. Psychedelic Baroque. Repetitive. | 01:38 | |
| Erreur sur arpèges - A. Jamot | Cellos filtered in arpeggios, repetitive, violin melody. | 05:15 | |
| Xca long time running - A. Jamot | Changing texture. Long outfits, nostalgia, electronic melancholy. | 06:33 | |
| Brek - A. Jamot | Drum solo, synth sound effects. Edit point at 1'40. Powerful rhythm, synth and saturated psychedelic guitar. | 04:17 | |
| Ultima metrique - A. Jamot | Experimental, marimba sequence with tempo changes and lags. Bass light. | 07:54 | |
| Brumes l'angoisse - A. Jamot | Contemporary orchestra, masses of sound, tension, anguish. | 01:38 | |
| Erreur sur 4 notes - A. Jamot | Violin solo, minimalism, heady. | 05:26 | |
| Oresteia histoire de cantatrice - A. Jamot | Voice, choeurs, then go to hell rhythmic. | 05:31 | |
| Stase discorde et point de vue - A. Jamot | Suspense, psychedelic, mysterious, tension, sad, late night. | 02:58 | |
| Ultima piano research - A. Jamot | Arpège of piano-computer virtuoso, work on the tempo, clouds of sounds. Happy. | 08:43 | |
| Xca Water waves - A. Jamot | Such as waves of a calm sea. | 03:24 | |
| Ballade spectrale lente - A. Jamot | Each instrument has its own dimension. | 06:50 | |
| Piece for prepared piano numero 10 - A. Jamot | Piano solo. Inside the mechanical machine. Strange, mysterious. | 01:56 | |
| Piece for prepared piano numero 11 - A. Jamot | Piano solo. Dance of the Indus Guru. Psychedelic and tribal. | 03:15 | |
| Piece for prepared piano numero 12 - A. Jamot | Piano solo. In the Harmonic Jungle. Repetitive, dynamic, exotic. | 02:20 | |
| Piece for prepared piano numero 2 - A. Jamot | Piano solo. Rhythmic destructuring. The clock on the piano is out of order. | 04:22 | |
| Piece for prepared piano numero 3 - A. Jamot | Piano solo. The machine races. All in accelerated. | 00:49 | |
| Piece for prepared piano numero 4 - A. Jamot | Piano solo. Bjork music box. Dynamic and positive. | 02:14 | |
| Piece for prepared piano numero 5 - A. Jamot | Piano solo. The disappearance of intervals. Printanier and tribal. | 02:30 | |
| Piece for prepared piano numero 6 - A. Jamot | Piano solo. Swinging, positive, tribal, repetitive. | 02:46 | |
| Piece for prepared piano numero 7 - A. Jamot | Piano solo. Wild Piano. Regular, mechanical and spring. | 03:00 | |
| Piece for prepared piano numero 8 - A. Jamot | Piano solo. Piano Rodeo. Regular acceleration. | 03:13 | |
| Piece for prepared piano numero 9 - A. Jamot | Piano solo. Ride of young piano. Dynamic, adventure, psychedelic. | 03:44 | |
| Ultima la poursuite - A. Jamot | Mechanical piano, fast tempi, tempo contrasts, mechanical ambience, factory, clock mechanism, fast moving crowds. Tom and Jerry in quicker. | 06:49 | |
| Ultimatonalition - A. Jamot | Atonal piano, distant sounds, scrambled, European atmosphere, decadent, Central Europe | 01:27 | |
| Orange l'echo trompeur - A. Jamot | Dark, intriguing. Exchanges piano brass. Stravinsky, Rimsky-korsakov. | 02:30 | |
| Quartet Noise - A. Jamot | Dream or strange universe, swamp, mist. Dissonances. Calm, suspense, exotic, horror. | 03:52 | |
| Canal Saint-Martin - A. Jamot | Sound events around parasitic noise. | 02:44 | |
| Christus electronic church - A. Jamot | Slow evolution of a ghostly, mystical, incantatory atmosphere. | 03:01 | |
| Christus electronic concert - A. Jamot | Chorus of angel or demon. | 08:54 | |
| Désynchronisation - A. Jamot | Changed drums sounds. Synth of aerial choirs. Nothing goes, complete destructuration. | 03:38 | |
| Xca goutte d'eau - A. Jamot | Slight random percussion recalling the sound of a drop of water. | 03:09 | |
| Xca les 7 lucioles - A. Jamot | Strange crystalline melody. | 01:58 | |
| Acceledecelere - A. Jamot | Evolving synthesizer arpeggios. | 06:46 | |
| Bobo music - A. Jamot | Slow rhythmic and frequency oscillations. | 06:40 | |
| Les Rhinocéros - A. Jamot | Rhythmic game on a few notes. | 03:30 | |
| Les Femmes-Fleurs - A. Jamot | Very pictorial speech, sometimes destructured between a piano and an orchestra. | 04:45 | |
| Ostinato pizzicati - A. Jamot | Pizzicati, echo and cello speaker. Positive, dynamic and languid. | 10:47 | |
| Luciole fiesta - A. Jamot | Tremolo and vibrato on rhythmic distant percussions. | 04:09 | |
| Fontaine Chromatique - A. Jamot | Flow of atonal textures. | 04:22 | |
| Décalage temporel - A. Jamot | No place for a rhythm, screaming or stretched. | 03:14 | |
| Electronic timeline - A. Jamot | Sound effects, gong.Ambience nature of another planet, punctuated with crunches. | 39:08 | |
| In a drone cockpit - A. Jamot | Noise from electronic machines. | 02:18 | |
| Les Moustaches - A. Jamot | Intensification of notes and tempos to the extreme. | 05:14 | |
| Orange l'obsession - A. Jamot | Repetitive rhythm, obsession, energy. | 03:02 | |
| Orange le débat - A. Jamot | Fluctuating and repetitive rhythm, energy, machine, drive. | 03:32 | |
| Orchestre sans chef - A. Jamot | Rhythmic and tonal discomfort. David Linch meets Alfred Hichcock. | 04:15 | |
| Turquerie le grand écart - A. Jamot | Intro and end after Lully, La turquerie. Death of the composer. Progression of the enemy. | 03:58 | |
| Ultima la folie - A. Jamot | Clavinet-harpsichord solo, madness, hysteria, very fast rhythm. | 03:50 | |
| Ultima strings evolution - A. Jamot | Strings staccato, tension, majestic, heroic from 1'40, nostalgic towards 6'00. Work on tempo. | 08:10 | |
| Xenakis - A. Jamot | Echo and babbling of brass. | 04:56 | |
| Blackhole - M. Bedot | Sound rhythmical industrial sound. Anxiety. 0'37, 1'29 bells. Synth of saturated organ. | 01:59 | |
| Territoire 1 - A. Jamot | Synth effects, texture, rumble, electronic sounds very low and very high. Anxiogenic orchestra blast. | 03:28 | |
| Ultima Necat - A. Jamot | Mixture of sound images. Journey into the abyss of the unconscious. End of the world and rebirth. Repetitive. Strange. New Age. Atmosphere Pink-Floyd. Voice child at 3'40 and rain at 5'40. | 09:04 | |
| Edelweiss 03 - A. Jamot | Progressive and repetitive with choir in onomatopoeia, and drums towards the end. Trance, suspense, strange. | 04:42 | |
| Edelweiss 06 - A. Jamot | Sacrifice, crowd movement. Repetitive synthesizer progression with onomatopoeia andfrench horn. Strange. | 05:24 | |
| Aurora - C. Mathieu | Slow organic change. space musique. | 01:44 | |
| Zedeff - F. Zgorski | Bass synth and sound effects with delay. Electronic percussion. Edit point at 1'30 rhythm electro with effects, various synths. 5'30 break. | 06:10 | |
| Unknown Dangerous Place - Li Ke | La peur, le doute, l'inconnu. | 01:48 | |
| Contrepeterie - F. Lebourg | Acoustic synth background, crystalline sound images. Synth sounds. | 03:03 | |
| Daisy Bao - F. Lebourg | Cymbalum, wind, vibraphone and organ. Internal pulsation, desolation. | 01:24 | |
| Entry - F. Lebourg | Synth in background, organ, guitar chords. Effects. | 01:23 | |
| Hyan - F. Lebourg | Koto and Far East song. Call of the Hyan. | 01:20 | |
| Level Four - F. Lebourg | Cymbalum, notes spaced, long silence. | 01:06 | |
| Pics - F. Lebourg | Slow crescendo of violins and choirs with a tense harmony, acosutic piano, effects of instruments. | 03:11 | |
| NY - F. Lebourg | Natural Ytrium. Piano solo. | 02:40 | |
| Autom Two - F. Lebourg | Fall of moon leaves. | 01:16 | |
| Faubin - F. Lebourg | Stellar meditation or planetary buzz. | 01:56 | |
| Autom Five - F. Lebourg | Stellar probe, foghorn of the fourth dimension. | 02:39 | |
| Level One - F. Lebourg | Probable Koto on windy background. Distributed gaps. | 01:08 | |
| Too Long - F. Lebourg | Speech between an electron and a breath. | 01:10 | |
| Saint Leger - F. Lebourg | Positive ion particle queuing. | 02:14 | |
| Autom Three - F. Lebourg | Quantum universe. | 02:44 | |
| Level Two - F. Lebourg | Carillon of another world. | 00:22 | |
| L'usine - F. Bry | The throbbing universe of machines. Sound effects. Robot. | 02:43 | |
| Guitar Phase - P. Sanchez Garcia | Modal guitar such as Steve Reich. Cyclic, spacy. | 02:09 | |
| Prolifération - M. Biallais | Acoustic piano, clarinet. Harmonic tense. Dissonance, orchestral crescendo. | 02:13 | |
| Algo Danse - A. Jamot | Contemporary piano post-modern ambiance | 02:24 | |
| Sextet Frenjik - A. Roy | Violins, cellos, oboes, vibraphone, play cross melodies. | 03:34 | |
| Iendyn - A. Roy | At the borders of percussion and melody. Tormented, narrative. | 14:53 | |
| Basilic - A. Roy | Meli melo of instruments. Double bass, pizz. | 02:12 | |
| Hélianthe - A. Roy | Duo, saxophone clarinet dialogue. Narrative. | 11:35 | |
| Accords Pour Céline - A. Roy | The torments of love. Piano solo. | 01:40 | |
| Black Submarine - T. Cahn | Heartbeat, spatial texture. 0'51 rhythmic sound effects. 1'17 Industrial rhythm. Anxiety. | 01:44 | |
| Intergalactica - T. Chaze | Synth effects, electric piano with delay. Dialogue between stars. Astral and dreamy. | 04:43 | |
| Phantom - T. Chaze | Effects of percussion, voice and synth with delay and reverb. | 01:10 | |
| Timerest - T. Chaze | Strange and disturbing flute, ethnic percussions, deep violins. | 02:37 | |
| Interlude - T. Chaze | Violins, Opera singer. 0'47 Drums, double bass. Spacy and rhythmic. | 01:51 |