| titre | descriptif | 00:00 | Album |
|---|---|---|---|
| Ciclo Da Vida - E. Cresci | Fun and joyful Samba in Portuguese. Typical Brazilian sound with refined harmony and rhythm. Flowing and joyful. | 02:14 | |
| Instante De Mandrugada - E. Di Nucci | Sad and nostalgic Bossa Nova in Portuguese, which suggests deep and intimate feelings. Melancholic and nostalgic. | 04:48 | |
| Ego Trip - M. Brillard | Medium soul groove with electric piano, bass, drums, positive on chorus plus background vocal. French singing. Solo organ on the end. | 04:39 | |
| Freeking - M. Brillard | Folk song with delicate voice. Acoustic guitare. | 03:13 | |
| Unreachable - M. Brillard | Slow intro then double time. Bossa-nova rythm with Acoustic guitare, electric piano solo, voices and background. | 03:40 | |
| Celtic Power - M. Biallais | Celtic anthem. Female voice, synthesizer, choirs, traditional instruments from Northern Europe, folk percussions from the Far East. Loreena McKennitt, Era, Secret Garden. | 03:31 | |
| Hybrid Dance World - M. Biallais | Dancing, folk. Female voices, synthesizers, instruments from the Far and Middle East, bass and percussion. | 01:59 | |
| Little Swing For Elisa - P. Tilleman | Melody sunny, smiling and light. | 02:13 | |
| Remember Me - P. Tilleman | Fresh English voice on techno cool rhythm. Violin. | 03:07 | |
| Luna - GD 78 | Tango, bachata. Latin, caribbean, sensual. Accordion, electric piano, drums, percussions and female vocal. | 03:59 | |
| Malibu - GD 78 | Aerial, calm and repetitive world music with acoustic guitar, percussions, electric bass, accordion, synthesizer and sensual female voice. | 03:36 | |
| Barbara - GD 78 | Pop, soul, trip hop, lounge song with electric guitar and electric piano in the mood of Pink Floyd and female voice. | 04:18 | |
| Break Up Calipso (My Rap) - GD 78 | Intro jazz latin with saxophone then electro rap at 2'48. Female voice singing and talking. | 06:35 | |
| Nothing to lose - D Agostino | Beginning with voice and acoustic guitar. 3'05 Beginning of the acoustic piano and a counter-song. Electric guitare, organ. | 05:27 | |
| Between Warsaw And Lisboa - P. Gawlik | Positive, theme inspired by Portugese folk. Female solo voice, Female choir, Clarinet melody | 03:35 | |
| Nothing Left To Lose - S. O Brien | Folk song typical of the 70s. Arpeggios guitar, melody and choir smoothly. Simple and stripped. Fields Ireland. | 05:27 | |
| Look At The State Of It - M. O Connor | Powerful rock with heavy drums and bass, big hard rock guitar and male vocal. New Secret Weapon, Dublin, Ireland. Ref. Black Sabbath, David Bowie, King Crimson. | 03:13 | |
| Losing Game - N. Keegan | Melodic romantic and dynamic pop rock song with electric guitar, drums, bass and male vocal. Diablo DC, Dublin,Ireland. | 03:25 | |
| I Never Forget A Face - E. Ryan | Positive romantic song with banjo rythmic and male voice. Seskin Lane, Thurles Dublin Ireland. | 04:16 | |
| Idiots - E. O Donnell | Pop, rock, blues song with male voice and guitars. Sad and nostalgic. Changing Gears, Dublin, Ireland. | 06:13 | |
| Get Away - I. Proc | Rock, punk, pop with heavy guitars drum and bass. Drive by Eden, Dublin, Ireland. Male and Female voice. | 03:19 | |
| Watching Over You - H. Rogers | Pop rock song with female voice, electric guitar and choirs. Elevation Falls, Dublin, Ireland. | 04:09 | |
| Blood Red Moon - C. Kestell | A Happy Accident. Folk ballad with male voice, acoustic guitar and organ. Sad and melancholic. | 03:11 | |
| Call Me Stupid - F. Watters | Pop rock 70s song with high male vocal like Yes (Ian Anderson). Mysterious, supported. | 05:01 | |
| Blue Rose - J. Regan | New wave rock ballad song with male voice. Dublin Ireland Sargasso band. Echo and the Bunnymen, U2, Pink Floyd. | 05:51 | |
| Born - B. Thonett | Pretty Beast. Dublin Ireland punk rock band with heavy saturated guitar, drums, bass and male voice. | 03:23 | |
| All Colors Shine - A. Goodwin Alan | Pop rock ballad with acoustic guitar, organ and male voice. | 03:44 | |
| Animal Rites - S. Masterson | Pop rock romantic song with drum machine, guitare and male voice. U2. | 04:02 | |
| Hip Hop - F. BĂ©gnon | Rhythmic funky, acoustic piano melody. Sample of voice, synth. | 01:29 | |
| Fugue Fugace - F. BĂ©gnon | Choirs. Theme sung. Electric guitar, violins, acoustic piano. Barrel organ. | 02:00 | |
| Let'S Go - J. Goodwin | Rock Pop - Power pop Blink vocal. EP @ 0'34, 0'55, 1'12, 1'21. | 01:30 | |
| Here We Go - J. Goodwin | Rock - Upbeat acoustic intro rock anthem fem vocal. | 00:33 | |
| Magic - J. Goodwin | Rock - The classic as power pop girl rock. | 01:10 | |
| We Got To Get Out Of This Place - J. Goodwin | Rock Retro - The Animals classic. | 01:21 | |
| Word Up - J. Goodwin | Rock - The classic a la Korn. | 01:53 | |
| What If We're The Only Ones - T. Stoilkovski | British Bowie 70s feel melancholy ballad with acoustic, tremelo tinged guitars and yearning vocals. | 04:23 | |
| Words Have Lost Their Meaning - T. Stoilkovski | Alt country ballad with a foundation of rock, tremelo guitars, lots of reverb and a feel of yesteryear. | 03:30 | |
| Seven Signs - T. Stoilkovski | Fist pumping, classic stomping Brit rock, with stadium chorus, reminiscent to The Who. | 04:19 | |
| Shout At The Sky - T. Stoilkovski | Top of your lungs shout out track with funky guitars and vox with a retro chorus and present indie appeal. | 03:51 | |
| Natural Wonder - T. Stoilkovski | Epic U2'ish ambient rock track, introspective build up to an epic, all out power chorus. | 03:10 | |
| Never Coming Back This Way - T. Stoilkovski | Tender and ambient folk country ballad with only guitar and vocals. | 02:27 | |
| Out Of Body Experience - T. Stoilkovski | Funky pop Bowie meets Kasabian meets Roxy Music with shimmery attacking guitars and four on the floor groove. | 02:52 | |
| Out Of Time - T. Stoilkovski | Confident anthemic rock, overdriven ambient guitar chords and odd time syncopated chorus. | 03:30 | |
| Pure - T. Stoilkovski | Pacey, pop punk guitars, acoustic and electro drums wield a youth driven feel. | 03:42 | |
| I Got A Heartbeat - T. Stoilkovski | Classic rock and roll Zeppelin guitar and drum groove with soaring vocals and high energy, percussive chorus. | 02:47 | |
| I Got You - T. Stoilkovski | Reflective pop rock with shimmery delayed guitars and a romantic radio vibe. | 03:38 | |
| Left Without A Sound - T. Stoilkovski | Beatlesque start into a bold, classic Californian pop chorus. Blue skies and fairy floss. EP @ 0'38. | 03:30 | |
| Lights Of The City - T. Stoilkovski | Positive rocker about redemption with emotive vocals, tender guitars bursting into shimmery overdriven pop rock chorus. | 04:34 | |
| Alive Awake - T. Stoilkovski | Solid and passionate guitar pop rock with towering melodic chorus. Song. | 03:43 | |
| All The Creatures Are Stirring - T. Stoilkovski | Brave pop rock infused with psychedelic imagery and driving guitars building to an epic chorus. | 04:22 | |
| Atmosphere - T. Stoilkovski | Upbeat track with acoustic and electric tremelo guitars in the style of 70's bands Styx and Peter Frampton. | 02:44 | |
| Down And Dirty - T. Stoilkovski | Sexy blues overdriven pop funk piece with stomping groove and percussive jangly guitars. | 03:32 | |
| Sing (Therapeutic Diamond Ring) - L.J. Cedar | A classic sounding British Piano rock ballad (Oasis, Lennon etc) with a hint of James Bond's John Barry.. Emotional, Heartfelt, Sad, Yearning, Intimate, Warm, Sweet. | 02:19 | |
| Belief In The Reaper - L.J. Cedar | A Rock male vocal song with intelligent lyrics. Guitars, Bass, Drums and Organ combining for a classic sound. Urgent, Powerful, Uplifting, Pop, Indie, Vocals, Rock. | 04:38 | |
| Dirty Dog - L.J. Cedar | JapaneseKorean punk rock track with crazy female vocal.. Aggressive, Energetic, Angry, Indie, Punk, Band, Live. | 01:07 | |
| Divine - L.J. Cedar | Intimate acoustic folk track with female vocal, nylon guitar and strings.. Haunting, Emotional, Introspective, Touching. | 01:46 | |
| Garden Of Life - L.J. Cedar | Cool, modern and uplifting Motown track with soulful male vocals. Lyrical nature theme.. Funky, Soulful, Uplifting, Light, Joyful. | 00:50 | |
| Intimate Call - L.J. Cedar | Cute Guitar, Vocal and Drum track. Good for technology branding.. Cool, Uplifting, Sweet, Beautiful. | 01:03 | |
| Last To Hold On - L.J. Cedar | A sweet heartfelt pop/ballad from the late 1990's. With Male vocals and contempory instrumentation.. Romantic, Uplifting, Positive, Happy. | 04:08 | |
| Put This Right - L.J. Cedar | An energetic, dance House track with the infamous Associates singer, Billy Mackenzie on vocals. Never released.. Uplifting, Energetic, Positive, Dancing, Driving, Dramatic. | 05:05 | |
| Someday - L.J. Cedar | Classic 90's RockPop ballad with male vocals.. 1990's Style, Hopeful, Dramatic, Sweet, Romantic, Ballad. | 05:54 | |
| Stockholm 15 - L.J. Cedar | Scandanavian European feel track with female vocal and synth-sound collage.. Cool, Mellow, Charming, Groove, Carefree, Beautiful, Wistful. | 00:34 | |
| Sunburst - L.J. Cedar | An uplifting Ibiza beach party house dance track with positive lyrics and male vocals.. Uplifting, Up Tempo, Positive, Energetic. | 03:42 | |
| SuperstarPeople - L.J. Cedar | Glamorous rock track with male vocals. Perfect for a TV series on Hollywood and the high life e.g Entourage.. Cool, Confident, Vivacious, Uplifting, Building, Rocking, Powerful, Melodic. | 04:47 | |
| Turn On The Red Light - L.J. Cedar | Sexy and sleazy Rock stomp with female vocals and lyrics. A lady of the night falls in love with a customer.. Rocking, Driving, Sexy, Swaggering, Saucy, Sweaty, Sensual. | 03:50 | |
| Wonderful - L.J. Cedar | Recorded at the start of the 1990's this track features male and female vocals. Ambient and enigmatic it captures the mood of the times.. Enigmatic, Enduring, Uplifting, Emotive. | 04:42 | |
| Youre Torn Apart - L.J. Cedar | A Warm and positive acoustic guitar and female vocal ad-lib track.. Warm, Positive, Uplifting, Pastoral. | 00:33 | |
| Unter Der Linden - E. Fogelgensang | Ars antiqua, Minnesänger, XIII, Monodie, Funny, delicate, love | 02:48 | |
| Der Leiermann - E. Fogelgensang | German Lied, Romantic, XIX, Songs accompanying, chamber Music, Romanticism, Melancholy | 02:22 | |
| Les 12 Mois De L'année - E. Fogelgensang | Violon and song. New year, light, dancing, driving | 05:11 | |
| Una Pandereta - E. Fogelgensang | Percussion, song. Villancico, Christmas, rhythm, child song, merry. | 01:38 | |
| Good King Wenceslas - E. Fogelgensang | Renaissance, XVI-XIX, Polyphony Christmas, History, posed and cheerful, text by John Mason Neale XIX. | 02:40 | |
| Es Ist Ein Ros Entsprungen - E. Fogelgensang | Renaissance, XVI, Polyphony Christmas, German. Renaissance, calm and serene. | 02:22 | |
| A la plage - F. BĂ©gnon | Ritournelle cheerful. Voice The la. Brazil, World Cup, Holiday. Progressive enrichment. | 01:40 | |
| Homeless - V. Benesy | Synth, acoustic piano, singing, organ. Edit point at 1'27, drums, sequence. | 05:55 | |
| La Vida Es Un Pasahe - C. Deslignes | Sephardic music Spain, Traditional, Monodie, Oriental melody, meditation, sweetness, languor Oral tradition. Version A capella. | 00:39 | |
| Durme Mi Alma - E. Fogelgesang | Sephardic music Spain Traditional, Monodie, Epinette, Lullaby Sephardic. Soft. | 05:45 | |
| Bryd One Breere - E. Fogelgensang | XIII century, Monodie, Courtois, Song of love, ancient English, dreamer. | 01:48 | |
| Cachua Al Nacimiento - E. Fogelgensang | Traditional Andean, Polyphony 2v, Christmas party, Peruvian Christmas song, very joyful, rhythmic, Spanish. | 02:04 | |
| Hush My Babe - E. Fogelgensang | XVII, monody, Christmas, lullaby of Christmas, very calm and serene. | 03:27 | |
| In Dulci Jubilo - E. Fogelgensang | Religious, XV, Polyphony 4v, Christmas, Christmas song, bilingual Latin, German. | 03:05 | |
| Cuando El Rey Nimrod - C. E. Fogelgensang | Sephardic, Monodie, Jewish, Spanish. | 01:50 | |
| Juego De Siempre - C. Deslignes | Sephardic music, Traditional, Monodie, Palmas, wedding song, ladino, spanish, merry. A capella. | 02:45 | |
| A La Puerta Del Rio - C. Deslignes | Sephardic music Spain Traditional, monody, education, romance, Sephardic. | 01:56 | |
| A La Una Yo Naci - C. Deslignes | Sephardic Music Spain, Traditional, Monodie, Education, Sephardic Romance. | 01:56 | |
| Come, Heavy Sleep - E. Fogelgensang | Renaissance, XVI, Monody accompanied, Entertainment, John Dowland. First book of songs and ayres, 1597. Child. | 02:57 | |
| Merlin Au Berceau - E. Fogelgensang | Breton music, Traditional, Monodie, Breton language, lullaby, childhood of Merlin. | 06:08 | |
| Venimos A Ver - E. Fogelgensang | Sephardic, Traditional, Monody, wedding song, merry. Psalterion with bow. | 02:48 | |
| Verbum Caro Factum Est - E. Fogelgensang | XV, Polyphony 4v, Christmas, Christmas Song, bilingual Latin, Spanish, cheerful. | 01:42 | |
| Una Pastora - C. Deslignes | Sephardic music, Traditional, Polyphony, Spanish, lovees disappointed. | 02:33 | |
| Entre La Mar Y El Rio - C. Deslignes | Traditional, monody, Sephardic music, oriental melody, dancing, Oral Tradition, Spanish. | 02:05 | |
| Hija Mia Mi Querida - C. Deslignes | Traditional, polyphony 2v, profane ritual, Sephardic song, calm, Spanish music. Sung version. | 02:02 | |
| Je Muir D'amourette - C. Deslignes | Ars antiqua gothic, XIII, polyphony 3v, courteous entertainmentRondeau, Courtesy, elegant, calm, Adam de la Halle ca1240-ca1287. Sung version. | 01:19 | |
| La Rosa Enflorese - C. Deslignes | Traditional, monody, Sephardic song, oriental melody, meditation, sweetness, languor Oral Tradition. | 02:31 | |
| Morena Me Llaman - C. Deslignes | Traditional, monody, Sephardic music, oriental melody, dancing, Oral Tradition, Spanish. | 02:17 | |
| Pange Melos Lacrimosum - C. Deslignes | Ars antiqua Gothic, XIII, polyphony 2v, paraliturgical use, procession, mourning, funeral, solemn, complaint, Notre Dame school. Singing version. | 02:18 | |
| Venez Dans Le Pré - C. Deslignes | Popular, Gothic period, XIV, monody, profane ritual, dance, party. Adaptation C. Deslignes. Singing version. | 02:01 | |
| Gaudens In Domino - C. Deslignes | Religious, Ars antiqua, Gothic, XIII, Polyphony 2v, Para-liturgical, Conduit, Drum, Procession, Supreme Court Event, Coronation, Induction, Notre Dame School. | 02:25 | |
| Dreamcatcher - H. La Guerche | Acoustic guitar and vibrato, bass, harmonica. Chant. David Lynch. 1'38 drums and harmonica solo. | 03:40 | |
| I Want You - P. Gaillard | Big band RnB. Intro drums and song cry. Riff of brass and singing. | 00:27 | |
| Lament - J-M Boiteux | Chanson, very soft female voice. drums with brushes, bass, piano. Voice and ethnic singing. Violins. | 02:42 | |
| Tempes - J-M Boiteux | Part B percussions, vocals. 0'23 broom drums, guitar, fretless bass, organ. | 01:32 | |
| Miam Miam - J-M Boiteux | Drums, bass and guitar theme. Children's song. Creole. | 04:17 | |
| Bébé Tu Dors - J-M Boiteux | Duo of guitars for romantic walk. Violins and choirs. Sung. | 03:42 | |
| Mon Amour - J-M Boiteux | Rhythmic pop, guitar slide, voice, electric guitar, repetitive. | 02:17 |